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Christian Dior woman's suit 1950
The bodice would normally be worn under the suit (below) but here we show the internal construction highlighting the details underpinning the look of the garment.
It features large applied press studs (covered for the comfort of the wearer) which fasten to matching studs on the skirt. An attached dark blue peplum tucks inside the skirt and features thin black elastic loops sewn at the hem for looping over the wearer's suspender tabs. All this ensures the garment keeps its smooth line. 
Blue wool-serge top designed by Christian Dior in Paris, 1950.
Purchased 1994. 94/37
Issey Miyake 'Minaret' dress 1995
Issey Miyake is undoubtedly the most innovative and experimental designer working in fashion today. He melds art, craft, fashion and technology in a design philosophy that fosters cross fertilisation and continually challenges the nature of clothing.
This minaret-shaped dress features Miyake's trademark pleated polyester fabric, shaped here by seven internal hoops. The dress folds down into a flat circular shape when not being worn.
Made by Miyake Design Studio, Japan 1995.
Purchased 1995. 95/143/1
Paper fan 1897
Fans were a popular way of marking royal occasions; this one commemorates Queen Victoria's Golden Jubilee in 1897. It is printed with 36 sepia-toned portraits of the Queen and her extended family.
Made by The London Stereoscopic & Photographic Ltd, England, published by Louis Felbermann, mounted in Austria.
Purchased 1959. H6276
Shirt front or 'dickie' c1950

Cream organza edged with machine lace.
Made by David Jones, Sydney about 1950.
Gift of Mrs Dovey 1989. A7188-1
Waistcoat 1920s

The backless waistcoat was introduced in the 1920s, its comfortable styling making it a popular choice for evening wear. This waffle piqué cotton waistcoat was part of an evening suit worn by Sir Warwick Fairfax, (former Director of John Fairfax & Co) in 1948.
Made in England by Meyer & Mortimer Ltd, London.
Donated by Lady Mary Fairfax 1988. 88/353-2