- Powerhouse Museum
- Planning your visit
- Exhibitions & Events
-
Education
- Teachers Guide
- Teachers notes and resources
- Activities for kids
- Specialist studios
- Thinkspace
-
Collection & Research
- Search/browse our collection
- New acquisitions
- Making a donation
- Hedda Morrison photographic collection
- Sydney 2000 Games collection
- Australian Dress Register
- Specialist research services
- Lace Study Centre
- Museum archives
- Research library
- Photo library
- Conservation
- Object Name Thesaurus
- Regional programs & services
- Migration Heritage Centre
- Online Resources

Heirloom
Shona Wilson
Dimensions
1500 x 1500 x 60 mm
Materials
Assemblage: natural found materials (twigs, seedpods, bones) and found plastic
Artist statement
‘I have been making ‘open-work’ assemblages from natural, found materials for many years. The abstract patterns and forms I currently create have affiliations with mandalas, doilies and diatoms (a subgroup of microscopic planktons). These in turn act as metaphors for universal patterns and macroscopic themes; for although the works may be materially rooted in my travels and daily life, metaphorically they speak of a much broader sense of place, spanning my cultural heritage through modern Western science to a universal spirituality.
Through its patterns and motifs, lace maps the interconnections and woven stories of home and religious life. Attention to detail, delicacy and intimate scale are attributes of my work which are common to lace. Delicate yet strong, lace reflects the structural integrity of natural forms and the human condition. Lace embodies the concept of duality (positive and negative space, yin-yang) and its transcendence via the interconnectedness of infinite designs.’