Archive for the 'Food' Category

Steamfest 2013 Mystery Object Revealed

Powerhouse Museum Collection, object H6854.

Powerhouse Museum Collection, object H6854.

Would you have guessed the mystery object on display in the Museum’s marquee at Steamfest this year? Visitors to this event held in Maitland over the weekend of 13-14 April were encouraged to have a go. Congratulations to Ray Wilson of Largs, NSW, whose answer was the first correct entry drawn.

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The Sydney Easter show, early product advertising

2002/105/1-2/25 Photographic print, black & white, promotional exhibit for Thorpes Ltd at Sydney Royal Easter Show designed by Rousel Studios, Broughton & Ward, Sydney, New South Wales, Australia, c 1930. Collection: Powerhouse Museum

2002/105/1-2/25 Photographic print, black & white, promotional exhibit for Thorpes Ltd at Sydney Royal Easter Show designed by Rousel Studios, Broughton & Ward, Sydney, New South Wales, Australia, c 1930. Collection: Powerhouse Museum

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You Better Watch Out – NSW Police Random Breath Testing

NSW Police  Insignia

This time of year is one of consumable abundance in Australia. We are encouraged to indulge in large quantities of high calorie, highly processed sugar-rich foods; and to consume alcohol. Although a legal and celebrated intoxicant, alcohol is a strong mood altering drug, and consumption levels can be quite difficult to gauge. Intoxication in individuals can vary greatly, depending on weight, health, tolerance, and state of mind at the time of consumption; however, the New South Wales Police have adopted and enforce the maximum level of alcohol per 100 millilitres of blood be under .05 grams to legally operate a vehicle on a public road. Some individuals may drive a vehicle knowing that they are likely over this limit; others may have no real idea – having consumed alcohol in a socially accepted and sometimes expected manner. This may well ruin their Christmas and New Year holidays!

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Bee Delighted

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148 Insect model, queen bee, papier mache / metal, made by Dr Auzoux, Paris, France, 1883

If you’re in Maitland between 21 and 29 April, drop into Brough House in Church Street, to see some of the Powerhouse Museum’s beekeeping collection. It’s featuring in an exhibition called Amazing Bees, the contribution of JW and WS Pender to the Australasian Bee Industry.
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History Week: Picnics

The history of picnics goes back to medieval times in England and Europe when elaborate outdoor feasts were enjoyed by the wealthy. Medieval hunting feasts and Renaissance era country banquets were the forerunners of the casual outdoor picnics we enjoy today. These feasts would traditionally serve cold meats like hams, baked meats and pastries. Now accessible to most people, the contemporary picnic can contains an extraordinary diversity of food from tabouli and hummus to spring rolls, pies and prawns.

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2008/165/1-70 Glass plate negative (1 of 193), picnic at Freshwater photographer possibly Arthur Phillips, Australia, 1895
Collection: Powerhouse Museum

This is one of the Museum’s earliest images of a picnic, it’s from a glass plate negative depicting a picnic scene at Freshwater, with young men and women and a small child. Ida Phillips, the photographer’s sister, is at the far right and the man in front of her holding her hand, is probably Joe Hindwood, her husband. (Married 1900). The woman second from left is holding a cigarette. Cricket stumps and bat are visible on one side, and inscribed on a billy in the foreground is the text ‘Freshwater 1895 AP’ To the right of the billy is an early picnic hamper, similar to the one in the Museum’s collection.

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85/2502 Picnic hamper, motoring, leather case / wicker / bone / glass / paper/ porcelain, used by Major A U John, maker unknown, England, 1910-1930 Collection: Powerhouse Museum

The image below depicts a stylish if uncomfortable looking picnic with its participants wearing their best hats and using porcelain tea cups. I noticed the children and adults appear to be sitting directly on the ground in the bush.

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1890s picnic in the trees, photographer unknown

Devices to aid the picnicker, often adaptations of household items like baskets, cups and plates were offered for sale in the ‘Store Catalogues’ of the late 1800s and early 1900s, like those of Anthony Hordens and later David Jones.

The picnic case shown below is a Victorian era case around the mid to late 1800s made out of wicker work.

A7665 Picnic basket. Wicker work. Fitted with tins, china & utensils. Victorian. (LC).

A7665 Picnic basket. Wicker work. Fitted with tins, china & utensils. Victorian. (LC).

The popularity of picnics in the 20th century ran parallel with the rise of access to transport systems, from rail to bike and most significantly the motor car. As well as family and bush walking picnics there were company picnic days like ones organised by Wunderlich Limited from the early 1900s.

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A7437-28 Photographs, Photographic prints, Wunderlich Limited, Redfern, New South Wales, Australia, c 1899 - 1976 Collection: Powerhouse Museum

The rise of the picnic basket or case reflects Australians’ increased leisure time and, the desire to bring domestic comforts into weekend or holiday pursuits like picnics, barbecues, camping and caravanning.

The 1950s picnic set pictured below has various components that reflect the changes in and development of the then ‘new plastics’ now so much part of everything we buy. The suitcase fabric is made from Rexine, a polyvinyl upholstery cloth, made by Armonde Ltd, Leather Cloth and ICI in the late 1940s and represented in the Museum’s important plastics collection. The plastic used in the cups and saucers is also of particular interest, being Bandalasta, the name given to a series of early plastic wares made from a synthetic resin by British chemists in 1920s. The Trademarked Thermos contained in this set is also clad in Bandalasta.

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2010/87 Picnic case and contents, Rexine cloth / metal / plastic/ glass, made by Brexton, England, 1950s, used Australia, 1950-1989 Collection : Powerhouse Museum

History Week: Rice bowls – food, memory and tradition

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Bowl, oxidised steel/silver / gold / bronze / 'odong' in 'choum ibysa' technique, made by Joungmee Do, Melbourne, Victoria, Australia, 1999 'choum ibysa' Photography Marinco Kojdanovsk:i Powerhouse Museum .

Memories and food are often wrapped up together, a well known example is that of Marcel Proust, his Aunt Léonie and her lime blossom madeleines.

Rather than madeleines, Joungmee Do, a Korean-Australian artist, uses the concept of the rice bowl to explore her own personal memories and meanings associated with food and tableware, in the context of Korean culture and tradition. Rice is a staple food and culturally significant in Korea, and the rice bowl is not just a functional object. Of her work, Bowls, Do says,

The concept and aesthetic style of these bowls was influenced by the Korean daily utensil, the rice bowl …When I started making these bowls, I was thinking about my childhood memories, which are linked to the idea of the rice bowl. Personally a bowl not only acts as a container for objects, but also symbolizes a receptacle for the thoughts of myself or someone else.”

Do created ‘Bowls’ from oxidised steel inlaid with gold, silver, bronze and odong (a copper-gold alloy) wire, using the traditional Korean metal craft technique of jjoum ipsa (or choum iybsa). In this process, the artist uses a chisel and chasing hammer to create closely spaced indentations across the entire surface of the object in horizontal, vertical and diagonal directions. The resulting surface of the object has the appearance of woven fabric. Metal wire can then be inlaid into the chiselled surface to create a pattern.

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Bowls (detail of male bowl), Joungmee Do,1998. Photo: Marinco Kojdanovski : Powerhouse Museum

‘Bowls’ was created as a pair, one male and one female, in the way that Korean rice bowls are conventionally presented. The male rice bowl has a domed lid covering the bowl, and both the lid and bowl are densely covered in intricate inlaid patterns, with a blue-black oxidised steel background.

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Bowls (detail of female bowl), Joungmee Do,1998. Photo: Marinco Kojdanovski: Powerhouse Museum

The female rice bowl has a hole in the centre of its lid, and is also decorated with inlaid wire against an oxidised steel background. However, the female rice bowl is less ornately decorated than the male, emphasising the fabric-like chiselled surface texture.

The inlaid patterns used by Do were inspired by Joseon dynasty bojagi, or wrapping cloths. In the strict Joseon society, wrapping cloths were a way in which women could creatively express their respect for the recipient and love and wishes for their family. Wrapping cloths were used in many different ways, to wrap, cover, carry or store objects. A specific example, sang po, were used to cover food or food tables (Kim Kumja Paik 1998: 13, 16-18).

Through the making process of ‘Bowls’, Do was able to bring together personal memories and Korean culture and traditions, combining the personally significant form of the rice bowl, the ipsa technique and the bojagi style decoration. Do says,

“When I was practicing the iybsa technique, each chisel mark and hammer stroke proved equal to every single line of stitching in a wrapping cloth. The feelings involved in the chisel mark or stitching line were very similar, and this united and transcended the past and the present.”

You will be able to see these bowls in the upcoming exhibition, Spirit of jang-in: treasures of Korean metal craft, opening on 27 October 2011 and running until 12 February 2012.

Alysha Buss, Assistant Curator, Spirit of jang-in: treasures of Korean metal craft

References

Do, Joungmee, Artist Statement, unpublished manuscript.

Kim, Kumja Paik, 1998, ‘Profusion of colour: Korean costumes and wrapping cloths of the Choson dynasty’, in Roberts, Claire and Huh, Dong-hwa (eds), Rapt in colour: Korean textiles and costumes of the Choson dynasty, Powerhouse Publishing, Sydney, pp 10-18.

History week: science delivers our daily bread

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Powerhouse Museum Collection.

It’s International Year of Chemistry and History Week, which this year has food as its theme: a perfect time to meet Frederick Bickel Guthrie, the chemist on this medal. Guthrie worked with a better-known Australian scientist, William Farrer, to develop strains of wheat that were resistant to both drought and rust, a fungus that damages grain and reduces yields. Rust is causing problems in the wheat industry again today.

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Powerhouse Museum Collection.

This sample of rusted wheat was collected in 1890. Farrer’s Federation wheat variety helped the wheat industry revive in the following decade. This is why he featured on our first $2 banknote alongside drawings of wheat stalks.

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Powerhouse Museum Collection.

Farrer systematically crossed wheat varieties and selected for desirable qualities, but he only grew small plots of each type. In a world-leading research program, Guthrie made a miniature roller mill to produce flour from the small quantities of grain that Farrer produced. He carefully analysed the flour’s gluten, bran and pollard content, noted its strength and colour, baked tiny loaves of bread from it, and advised Farrer which varieties were most nutritious and gave the best quality bread.

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Powerhouse Museum Collection.

Here are the wheat stalks that artist Gordon Andrews used as models for his banknote drawing. They are in very good condition, stored in our archives along with his sketches. The fact that wheat can be stored for long periods helps make it a valuable commodity and a staple crop in many countries.

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Powerhouse Museum Collection.

Wheat also featured from 1938 to 1966 on our pre-decimal currency, on the threepence coin. Like the $2 note, it is a testament to the value of this crop to our daily lives and national economy.

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Powerhouse Museum Collection.

Guthrie popped up again when I decided to research the use of instruments like this chondrometer, made by Henry Simon in England. Despite the fancy name, it’s simply a device for measuring a small volume of grain (in the conical vessel) and weighing it by hanging the little bucket from the steelyard, whose base screws into a hole in the top surface of the box: a neat, portable unit for checking the density of a sample taken from a wheat crop. Density is a guide to wheat quality and determines the space required to store and transport the crop.

I was surprised to discover that this instrument is so crucial to wheat economics that in 1918 the NSW government set up a ‘chondrometer investigation committee’. I wondered if Guthrie was a member of this body – and one contemporary news item confirmed that he was. The committee considered the available chondrometers and approved a model that combined various features of those on the market.

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Powerhouse Museum Collection. Donated by Tooth and Company Ltd under the Australian Government's Tax Incentives for the Arts Scheme, 1986.

Back in the basement, I discovered a NSW standard chondrometer, with the name of Sydney maker AL Franklin faintly visible on the steelyard. This instrument complies with the main recommendation of the committee: to cover a smaller range of densities, from 32 to 75 pounds per bushel (compared to 13 to 70 on the Simon chondrometer and 0 to 80 on others) and thus give more precise measurements.

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Powerhouse Museum Collection.

Our collection includes objects that represent every facet of the wheat industry and the everyday use of wheat products, from ploughs to harvesters, from a wheat wagon to grinding mills, from flour bags to toasters. This 1880s model shows all the processes that take place in an automated flour mill. I was intrigued by the final step: the ‘silk dressing machine’ above the bags. It turns out that silk is still the best material for dressing (sifting) flour. One more search was in order: do we happen to have any dressing silk in our collection? The answer is yes: two swatch books with silk of varying mesh sizes! The moire effect makes them a bit tricky to photograph, so here is a small sample of one of them.

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Powerhouse Museum Collection. Gift of David Sheedy, 1991

History Week: eating in extremes -what did Mawson and Scott eat in Antarctica?

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H4730 Scott’s unopened tin of tea made by Tower Tea Limited, England, 1895-1905, from the 1901-1904 British Antarctic Expedition. Gift of Mrs Watson, 1946.

On the base of this one pound (0.45 kg) unopened tin of Tower brand tea in our collection is the label “This tin of tea was cached by Commander R.F. Scott during his journey towards the South Pole in 1902. It was recovered and brought to New Zealand by the Shackleton expedition in 1908″. (This was Scott’s first expedition, not the one where he tragically died in 1912).

So, British Antarctic expeditioners drank tea which is to be expected. But what else? We know from Mawson’s wonderful account of the Australasian Antarctic Expedition of 1911-1914 in ‘The Home of the Blizzard’ that while on trips away from their hut hauling sledges over the ice, they drank tea for lunch and Cadbury’s cocoa with dried milk and sugar at breakfast and dinner. Man-hauling the sledges took heavy demands on the body so Mawson thought foods high in energy from meat, starches and sugar would sustain them.

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Drawing of a Nansen cooker from ‘The Home of the Blizzard’. As the name suggests it was developed by the Norwegian Arctic explorer.

The main sledging meal of the day was pretty unappetising. It was crushed up wholemeal Plasmon biscuits with pieces of pemmican (dried beef and beef fat flavoured with currants used by Arctic explorers) made by Bovril. This was cooked in the Nansen cooker, a cylindrical aluminium vessel with an enclosed kerosene primus stove which cooked the “hoosh” in an inner vessel and melted snow for tea and cocoa in an outer section. Before setting out the food was taken out of the tins and packaging and repacked into weekly rations to save time and weight while sledging. The hoosh compound and cocoa/dried milk/sugar mixture were prepared in the right proportions while the tea was sewn into small muslin bags ready to be dropped into the cooker. These may have been the world’s first tea bags. The sledging supplies were put into calico bags then stored in waterproof bags on the sledges. The Museum has one of Mawson’s sledges which still has the box with a half circle of timber chocks to hold the bulky Nansen cooker in place.

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Mawson’s sledge from the 1911-1914 expedition showing the box on which the Nansen cooker was placed. Gift of the Australian Museum, 1967.

Food consumed in Mawson’s hut at Cape Denison was totally different to that eaten by the summer sledging parties. Mawson was keenly aware of the monotony of being confined in the hut during Antarctic winters and the importance of food. Any and every special event was celebrated, especially birthdays.

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Photograph of a menu celebrating Christmas in 1930 on board the ship “Discovery” with photographs of the British Australian and New Zealand Antarctic Expedition members 1929-1931. Gift of Harold Fletcher, 1987.

Expeditioners took turns in being the hut cook and messman and Mrs Beeton inspired them all to outdo each other. They served up lashings of puff-pastry, steam-puddings, jellies, blanc-manges, curried and spiced seal, fried penguin and tinned vegetables. As Mawson put it “Cooks were broadly classified as ‘Crook Cooks’ and ‘Unconventional Cooks’ by the eating public. Such flattering titles as ‘Assistant Grand Past Master of the Crook Cooks’ Association’ or ‘Associate of the Society of Muddling Messmen’ were not empty inanities”.

Cooking in a hut in Antarctica where the inside temperature wasn’t much above freezing often caused problems. The hapless cooks served frozen honey on the toast, burnt the porridge and had tins exploding in the oven while thawing. The dried remnants of one tin of shattered baked beans were apparent on the hut walls and door for weeks. One of the cooks with a military background facetiously referred to this hazard as “platoon firing in the starboard oven”.

Numerous food companies donated goods for the 1911 expedition and many of them are familiar to us today including CSR, Nestles, Cerebos, Arnotts and Schwepps. All sorts of delicacies made the trip down to Antarctica including preserved figs, port wine, preserved fruit, and canned rabbit and fish. But by far the most popular was chocolate. It was distributed every Saturday night and became the hut currency being used for betting, games of chance and sweeps on the monthly wind-velocity readings. Two hut members who weren’t bothered with chocolate acted as the “bank” and bankruptcies occurred.

It’s apparent that the type of food eaten in the huts on Antarctic expeditions was the same or similar to what was being eaten by upper middleclass British and Australian families at the turn of the twentieth century, except for the inclusion of seal and penguin meat. So how has eating in extremes changed a century later? When Australians, James Castrission and Justin Jones, were the first to successfully paddle across the Tasman Sea in a kayak between Australia and New Zealand in 2007-2008 they had similar problems of nutritional requirements, convenience, cooking and the plain monotony of their food as explained in James’ very readable account, Crossing the Ditch.

In place of pemmican and biscuits they took modern dehydrated meals which they cryo-vacked into airtight plastic bags. Instead of a Nansen cooker they used a flameless heating pad in a small bucket with 100 ml of salt water (the salt water infused with the pad and created an exothermic reaction providing the same amount of heat as a microwave for 40 seconds). A meal would be poured into a foil bag with a sachet of olive oil and fresh water and the foil bag added to the “cooking water” for heating. Their favourites were roast chicken, spaghetti Bolognese and chicken babotjie. The worst meal was Thai green curry. Chocolate bars were used to barter and a homemade fruit cake was their delicacy. James and Justin are now in training for their next great adventure, Crossing the Ice, a world first attempt at an unsupported 2200 km, 3-month trek on skis hauling sledges, like Scott, to the South Pole. They leave in November 2011. I expect they’ll be packing lots of roast chicken and spag. bol.

Post by Margaret Simpson, Curator

History Week: the etiquette of food

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85/2157 Book 'Decorum' (etiquette & dress), USA, 1879, Collection:Powerhouse Museum (photography Rebecca Evans;Powerhouse Museum)

The knife and fork were not made for playthings, and should not be used as such when people are waiting at the table for the food to be served. Do not hold them erect in your hands at each side of your plate, not cross them on your plate when you have finished, nor make a noise with them.

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A10189 Place setting, 9 pieces, sterling silver/stainless steel, used by Queen Elizabeth II during her visit to Australia in 1954, Collection: Powerhouse Museum (photography Sotha Bourn, Powerhouse Museum)

I often wonder what people of the past would think about our contemporary eating habits. Sitting in any odd food hall I feel that past manners have been replaced with convenient and fast food. But, what were the manners of the past?
After a short look through our collection I came across some interesting books on manners and etiquette. For those who are etiquette unacquainted, here’s a brief run down of some of the dos and don’t of the past…

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D6423 Model apple, 'Moss Incomparable', wax, modelled at Sydney Technical College, probably opainted by Charles Tom, Sydney, New South Wales, Australia, Australia, 1900, Collection: Powerhouse Museum (photography Kate Scott, Powerhouse Museum)

‘Cheese’ must be eaten with a fork….Never bite fruit… Do not scrape your plate to get the last drop… Never use a napkin in the place of a handkerchief by wiping the forehead or blowing the nose with it…

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94/235/1-10 Sheet of labels, Fountain tomato soup, consisting of four labels for 16 ounce cans, Collection: Powerhouse Museum (photography Scott Donkin Powerhouse Museum)

… it is considered vulgar to dip a piece of bread into the preserves or gravy upon your plate and then bite into it… Soup should be eaten with the side of the spoon, not from the point and there should be no noise… Never if possible cough or sneeze at the table…

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90/501-1 Potographic print, black & white, imae of 3 wine bottles, max Dupain(photographer)/ Alister Morrison (designer), Sydney, 1958-63, Collection: Powerhouse Museum

…if anything unpleasant is found in the food, such as a hair in the bread or a fly in the coffee, remove it without remark…
Young ladies should not indulge in a variety of wines, nor indeed in very much wine … When drinking do not empty the glass at one gulp; it is very vulgar to do so..

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94/63/1-57/10 Glass negative, quarter plate, Palmer's Mystery Hike No 2, Tom Lennon, Sydney, Australia, 10 July 1932, Collection: Powerhouse Museum

… Eat neither too fast nor too slow… Never lean back in your chair nor sit too near or too far from the table.. food is to be eaten quietly and not ravenously .. It is not considered polite to eat up the last scrape of every food or every crumb of bread.’

Ref:
‘Etiquette for Ladies’, Ward Lock & Co, Australia /England 1925
‘Decorum’(etiquette& dress), USA, 1879
‘Etiquette: A handbook for all occasions to suit Australian conditions’ Ross Bros, Pty Ltd Publications, Sydney, Australia date unknown
Pyke, L M ‘Australian Etiquette: Rules of Good Society’, Wilke & Co Pty Ltd, Melbourne, Australia, 1938