Dr David Lewis, happy on his arrival in Cape Horn, South Africa, March 1974. From BOX 2 B 24446-2. Collection: MAAS
Restoration of the sailing boat that made the first single handed voyage to Antarctica
Dr David Lewis was a courageous sailor, an extra-ordinary navigator and an adventurer with big dreams. He was the first navigator in modern times to cross the Pacific Ocean without using instruments, following a legendary Maori course from Tahiti to New Zealand. In 1972, David undertook another adventure to sail, alone, to Antarctica and circumnavigate the subcontinent. He bought a second hand, steel hulled boat designed by Dick Taylor. It was an 11 metre sailing boat, called Ice Bird and David and some friends hurriedly prepared it for his summer journey. The steel boat had a large amount of lead in the ballast in case the boat capsized. The trip involved sailing through the ‘Roaring Forties’, the ‘Furious Fifties’ and the ‘Screaming Sixties’. He encountered mountainous seas with 35 metre waves, constant gales, hurricanes and freezing temperatures. The boat was not built for such incredible conditions and capsized three times, twice on the way to the Palmer Antarctic Station and once on its way to Cape Town, South Africa. Continue reading
Packaging for sex toy , object 2008/60/1-3
As part of the Ultimo Science Festival 2014, the Powerhouse Museum hosted a night of the Science of Sex. Along with talks form Dr Karl Kruszelnicki from University of Sydney, evolutionary biologist Professor Rob Brooks, and marine biologist Professor Emma Johnston from UNSW, Museum curators brought out a selection of sex related objects from the collection. Among them were the obstetric phantom, the birth control calculator, Madam Lash’s corset, and of course the electro massage device.
Tinonee Victory Parade Flag dress worn on Australia Day 1919
The Australian Dress Register (ADR) is a website that celebrates men’s, women’s and children’s dress that has an Australian provenance. Museums and private collectors are encouraged to research their garments and share the stories and photographs on the Register. The Register supports the garments remaining in their locations, but allows the information to be shared with a world-audience. The criteria for contributing to the Register is simple – if an item of clothing has a good story behind it and is put in the social context of the time it was worn, then we’d love to see it on the Register. With the 100 year anniversary of World War 1, it’s a good opportunity to look at what entries are on the Register that are associated with wartime. You can search the browse option or the timeline on the front page. You can do in-depth searches by clothing type, era, location, theme or manufacture details. There are not many uniforms on the ADR, so we would like to focus on this area in the next few years.
Model, Jacksons Landing, Pyrmont, made for Lend Lease by Porter Models, 2001-2010. Powerhouse Museum collection, gift of Jacksons Landing Community Association.,
The Powerhouse is located in what is now the densest suburb in Australia. With 14,300 people per square kilometre Pyrmont/Ultimo packs more residents into less space than any suburb or town in the nation. I suppose this should be no surprise given the numerous apartment developments completed here in the last decade, notably the repurposing of the wool stores and CSR’s former factories at Pyrmont Point. We recently acquired this large model of the Jacksons Landing development at the Point.
Pyrmont/Ultimo is on the leading edge of a much-debated urban trend towards apartment living rather than the ‘Australian dream’ of single-family cottages in sprawling suburbs. Sydney has historically been Australia’s leading apartment city. Way back in 1934 Melbourne’s Australian Home Beautiful observed ‘Sydney has always, to some extent, been the home of the flat-dweller. For this a variety of reasons may be suggested, the most popular one being that the Sydneysider is more easy-going and less home-loving than his Melbourne brother…’
H6741 Revolver, pinfire, Navy, colt, America, c. 1870.(OF). Thuers conversion, 6 chamber revolver, No. 207161. Calibre .36 2010/31/1 Set of assaying equipment, weights (8) and wooden storage box, portable balance and wooden storage box, metal / glass / wood, made by L Oertling Ltd / W & T Avery Ltd, London, England, c. 1860
Save for sparse and sporadic failed convict rebellions and escapees who stole arms and turned them on their British overlords, prisoners and Aborigines had been the foremost human recipients of firearm discharges prior to the Australian gold rush. Free settlers and freed convicts were able to arm themselves; however, this was for culling native animals and humans, not specifically for self-defense. The gold rush changed this.
Locomotive No. 1 shown in Sydney yard with a frock-coated railway official, possibly a station master. Detail a stereoview published by William Hetzer, Sydney, 1858-1860. Powerhouse Museum collection P.3145-7. Gift of Royal Australian Historical Society, 1981.
It’s 160 years ago this year (2014) since the first railway was opened in Australia in 1854. The railways were a vast improvement on the Cobb and Co. coaches, which carried people, and the drays and wagons, which carried goods, over the rough bush tracks. Pulled by horses or bullocks, wagons were slow and expensive, while the threat of being held up by bushrangers was a real possibility for coach travellers. Continue reading
62 Pasadena Street, Monterey. Photo by Andrew Frolows, Powerhouse Museum.
With design historian Michael Bogle I recently completed a heritage report and a visitors’ guide called Monterey Moderne. Commissioned by Rockdale City Council the report and guide are about a group of 1930s houses in the streamlined Moderne style in the small suburb of Monterey on the western shore of Botany Bay. I can still recall my excitement years back in coming across photos and plans of these houses in a Wunderlich Durabestos catalogue. I quickly headed to Monterey to find that some of them were still standing.
Sculptural figures (4), 2012/7/1. Collection: Powerhouse Museum
Each year since 1977 International Museums Day (18 May) has celebrated and explored an aspect of Museum work. The multiple connections inherent in these figures make them ideal ambassadors for this year’s theme – ‘Museum collections make connections!
This group of porcelain ‘souvenirs’, re-purposed by Melbourne artist Penny Byrne from kitsch sentimental figurines, generically represent the intangible connectivity of Facebook, and the ability of social media to empower populations sufficiently enough to topple governments. More specifically these figures also connect us across the world to the political turmoil of the ‘Arab Spring’ events of 2011.
Leanne Wicks and the Kandos Museum collection
It would be very dull to summarise my 2013 Movable Heritage Fellowship (MHF) with how influential the Powerhouse Museum staff were and how useful and life-changing the experience was. Nevertheless it needs to be said.
Charlie Wong Hing at Clear Springs. Image courtesy Museum of the Riverina
One needs only to spend a few hours in Wagga Wagga to feel the real impact multiculturalism has had on the city. It is evident though its diversity in everything from restaurants to public parks, from a stroll down the main street, – to looking at the varied streetscape and at the people who inhabit the ever-growing city. Wagga has embraced cultural difference and has a long history with migrant resettlement. However, this has not always been the case.