Fight the Fly: the only good fly is a dead fly

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Tin, fly killer, rectangular tin with sloping edges, transfer print on upper side of white daisies with cork centres, marked "Daisy Fly Killer contents posionous", with instructions for use, Harold Somers, New York, USA, c. 1888-1929

Tin, fly killer, rectangular tin with sloping edges, transfer print on upper side of white daisies with cork centres, marked “Daisy Fly Killer contents posionous”, with instructions for use, Harold Somers, New York, USA, c. 1888-1929. Collection: Powerhouse Museum

There are 30,00 types of flies, one of the most familiar and widely distributed is the house fly. Besides being annoying it can also carry diseases.like typhus, dysentery, and tuberculosis,

The introduction of cattle to  Australia in 1788 gave the fly increased access to one of it’s food sources, animal dung.

Australian have battled flies n the home and in the paddocks.and the Museum holds a wide variety of approaches to combat flies from poisons like the oddly named and decorated Daisy killer pictured above to fly swats, fly paper and glass flay traps.  

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Ultimo on the edge

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Lend lease

Model, Jacksons Landing, Pyrmont, made for Lend Lease by Porter Models, 2001-2010. Powerhouse Museum collection, gift of Jacksons Landing Community Association.,

The Powerhouse is located in what is now the densest suburb in Australia. With 14,300 people per square kilometre Pyrmont/Ultimo packs more residents into less space than any suburb or town in the nation.  I suppose this should be no surprise given the numerous apartment developments completed here in the last decade, notably the repurposing of the wool stores and CSR’s former factories at Pyrmont Point. We recently acquired this large model of the Jacksons Landing development at the Point.

Pyrmont/Ultimo is on the leading edge of a much-debated urban trend towards apartment living rather than the ‘Australian dream’ of single-family cottages in sprawling suburbs. Sydney has historically been Australia’s leading apartment city. Way back in 1934 Melbourne’s Australian Home Beautiful observed ‘Sydney has always, to some extent, been the home of the flat-dweller. For this a variety of reasons may be suggested, the most popular one being that the Sydneysider is more easy-going and less home-loving than his Melbourne brother…’
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The Story of Australia’s First Airmail-Part 8

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Maurice Guillaux and an unidentified spectator. This photo is generally identified as having been taken at the conclusion of the airmail flight, but as the aircraft lacks the OT Cordial advertising on the wings, the picture may have been taken before the airmail flight, or some weeks later. This image was loaned to the museum for copying, by a private individual.

Maurice Guillaux and an unidentified spectator. This photo is generally identified as having been taken at the conclusion of the airmail flight, but as the aircraft lacks the OT Cordial advertising on the wings, the picture may have been taken before the airmail flight, or some weeks later. This image was loaned to the museum for copying, by a private individual.

After being delayed at Harden on July 17, due to poor weather conditions for flying, Maurice Guillaux was determined to continue the first airmail flight the following day. While conditions had improved, they were still far from ideal, but on July 18 Guillaux took off at 7.15am and battled a strong headwind and freezing temperatures to reach Goulburn, 150km away, exactly two hours later. He described this section of his flight: “I shall never forget the awful experience I had to undergo…..I had to battle my way and to negotiate a passage though the icy atmosphere above those cruel mountains”. Visibility was limited and Guillaux was guided towards Goulburn by the smoke from a locomotive, though he found it impossible to follow the railway lines themselves.
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The Story of Australia’s First Airmail-Part 7

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Maurice Guillaux in his Bleriot, 1914. The ‘bird on globe’ mascot in front of Guillaux is a swallow (‘hirondelle’ in French), which was Guillaux’ avian nickname in the society of French pilots known as “Les Oiseaux de France”.   P3282-2 Gift of S. Dyson, 1982

Maurice Guillaux in his Bleriot, 1914. The ‘bird on globe’ mascot in front of Guillaux is a swallow (‘hirondelle’ in French), which was Guillaux’ avian nickname in the society of French pilots known as “Les Oiseaux de France”. P3282-2 Gift of S. Dyson, 1982

After being forced by a strong headwind to turn back to the town of Harden late in the afternoon of July 16, 1914, Maurice Guillaux spent the night in the town, staying at the Carrington Hotel, which still survives today. He had landed on the racecourse and overnight the police placed a guard on his plane, yet it must have been accessible to the people of Harden at some time during Guillaux’ stay there, as when the aviator eventually arrived in Goulburn, the Blériot was found to have many pencilled messages from Harden on it.
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The Story of Australia’s First Airmail-Part 6

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One of the official souvenir postcards that were produced to be carried on Guillaux’ history making airmail flight. Note that the aircraft depicted is not a Bleriot XI, but a generic biplane. EA and VI Crome Collection A8213-1/5

One of the official souvenir postcards that were produced to be carried on Guillaux’ history making airmail flight. Note that the aircraft depicted is not a Bleriot XI, but a generic biplane. EA and VI Crome Collection A8213-1/5

“Wizard” Stone’s unfortunate crash on June 1 (see part 5) provided the opportunity for Maurice Guillaux to undertake the history-making first airmail flight. With Stone injured and his aircraft destroyed, Arthur Rickard, the entrepreneur behind Stone’s proposed airmail flight, approached Guillaux to make the journey instead. Revised plans were made for the mail flight to commence on July 9. However, negotiations between Guillaux and Rickard apparently broke down on July 8 and the flight did not proceed, even though crowds had already gathered at Seymour (Victoria), the first intended refuelling stop.
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The Story of Australia’s First Airmail-part 5

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: Crowds gather to see “Wizard” Stone’s Blériot during his regional Queensland airshow tour. Photo courtesy of the Queensland State Library

Crowds gather to see “Wizard” Stone’s Blériot during his regional Queensland airshow tour. Photo courtesy of the Queensland State Library

Despite his fame as a daring aviator, Maurice Guillaux was not the pilot originally intended to fly the first Australian airmail from Melbourne to Sydney. That honour should have gone to an American, Arthur Burr “Wizard” Stone, who had been presenting aerial shows around Australia and New Zealand since 1912.
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The Story of Australia’s First Airmail-Part 4

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: A view of the Blériot XI aircraft that flew the first Australian airmail, on display in the Powerhouse Museum’s Transport exhibition

A view of the Blériot XI aircraft that flew the first Australian airmail, on display in the Powerhouse Museum’s Transport exhibition

Following his spectacular aerial exhibitions in Sydney and Newcastle, Guillaux’ fame quickly spread and after his pioneering seaplane flight on May 8, 1914, the French aviator began to make plans for a series of airshows around southern NSW and Victoria.

On May 16, Guillaux gave his first performance in Wagga Wagga, to which he would return during his airmail flight. So anticipated was this event that special train services were run from the towns of Junee and Culcairn in order to bring spectators to Wagga. Around 8,000 people paid entry to the Wagga Racecourse to see Guillaux’ exhibition with another two to three thousand watching from outside. They were not disappointed, with Guillaux’ stunt show including a thrilling vertical dive from which he only pulled out just above the heads of the crowd.

The Wagga event set the pattern for the rest of Guillaux’ airshow tour, with large crowds drawn from surrounding towns at each regional display and special transport laid on to get them to the show. In Albury, on May 23, interest in his performance was so strong that the golf club competition was postponed and shops which remained open operated on reduced staff. Once again, Guillaux garnered breathless praise from local journalists: “No words describe what he does and can do. All other aviators pale before him; looping the loop at an altitude of 14,000 feet is mere child’s play to him….”

The silk scarf worn by Maurice Guillaux during his aerial spectaculars. It’s red, white and blue colours (now somewhat faded by time) reflect the colours of the French national flag. L3120/2. On loan from Australia Post, NSW

The silk scarf worn by Maurice Guillaux during his aerial spectaculars. It’s red, white and blue colours (now somewhat faded by time) reflect the colours of the French national flag. L3120/2. On loan from Australia Post, NSW

Departing Albury, Guillaux, the Blériot and his team by train to Melbourne, where he established a base at the Showground in Flemington, having apparently been offered a guarantee of over £1000 to induce his visit to the city. On May 28, he flew from Flemington to the grounds of Government House, the seat of Australia’s Governor-General in the period between Federation and the construction of Canberra. The Governor-General, Sir Ronald Munro Ferguson his wife, the Governor of Victoria, Sir Arthur Stanley and his wife, were all on hand to greet the intrepid French pilot and inspect his aircraft. One of the few snippets of surviving film of Guillaux’ time in Australia shows the Blériot taking off after this visit.

Invited to visit the newly established military flying school at Point Cook, outside Melbourne, Guillaux flew there on May 29, gave a flying display in the Bleriot and then flew over the area in one of the flying school’s own aircraft. The following day he gave his first public display at the Flemington Showground, which drew a crowd of 25,000 to 30,000. Guillaux practically stopped the races at the Moonee Valley course when he performed some stunts overhead and, as he pulled out of one of his signature thrilling dives, a bookmaker supposedly offered to bet six to four that he had broken his neck! But the daring pilot once again survived and a Melbourne Herald report compared Guilaux’ performance to an earlier show by Australian aviator Harry Hawker thus: “M. Guillaux was to Mr. Hawker as a Drury Lane melodrama is to a repertory play”.

A contemporary 1914 postcard showing Guillaux’ Blériot aircraft. A8213-5/12 EA and VI Crome Collection

A contemporary 1914 postcard showing Guillaux’ Blériot aircraft. A8213-5/12 EA and VI Crome Collection, Powerhouse Museum

On Monday June 8, the King’s Birthday holiday, Guillaux performed at Bendigo, after which he flew to Ballarat, causing a sensation en route as he flew overhead. On this flight Guillaux carried a letter from the Mayor of Bendigo to the Mayor of Ballarat, however this was not officially consigned mail. Once again travelling by train, the Guillaux team moved from Ballarat to Adelaide, where another spectacular stunt show was staged on June 20. By June 27, Guillaux and the Blériot were back in Melbourne, before flying to Geelong on July 3, for the last aerial show before the airmail flight. To reach Geelong, Guillaux followed the railway line, a form of navigation he would also use on the airmail flight, and arrived there just at the end of a race meeting at the Plumpton course. Guillaux gave an impromptu display to the crowd of racegoers before his public show the following day. While performing in Geelong, Guillaux carried his first recorded passengers in the Blériot.

Look for the next post in this series in a few days, which will cover the background to that first airmail flight. Next week I will be posting an account of each day of the airmail flight, between July 16 and 18. The Aviation Historical Society of Australia will be conducting a re-enactment of the first airmail flight between July 12-14 and hosting other commemorative events. The Powerhouse Museum is also celebrating the centenary of the first Australian airmail with various events this year. Check our website and that of the Powerhouse Discovery Centre for further details. If you’d like to explore the newspaper reports of Guillaux’ flights, which were drawn upon for the quotes used in this blogpost, you can find them by searching on the National Library of Australia’s Trove Newspapers site.

Written by Kerrie Dougherty, Space Technology and Aviation Curator

The Marchinbar find – Medieval travels to Australia from Africa?

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: Australian Geographic covered the Past Masters' expedition to Marchinbar in their Jan-Feb 2014 issue

: Australian Geographic covered the Past Masters’ expedition to Marchinbar in their Jan-Feb 2014 issue

In 1944 when Morry Isenberg discovered nine coins lying in the sand on the island of Marchinbar in the Northern Territory, little would he have imagined they would lead to explosive claims about Australia’s early global connections and, nearly 70 years after this chance encounter, provide the motivation for an international expedition.

The group of coins were donated to the Museum of Applied Arts and Sciences (MAAS) in the 1980s after which they were displayed at the Sydney Mint Museum, then part of MAAS. The coins divide into two distinct groups with four of the nine identified as reasonably prosaic Dutch East India (VOC) coins from the 17th-18th centuries, and the other five of much more remarkable origins to distant Africa. Originating from the small but powerful East African island sultanate of Kilwa Kisiwani, they were minted some 500 years prior to Captain Cook’s arrival, and still more than 300 years before the Dutchman Willem Janszoon’s landfall. While a multitude of specimens have been found around East Africa and more distant Oman, by far the furthest found afield are these examples from Australia.
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NAIDOC Week 6-13 July 2014

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P3188 Photographic prints, (4), aboriginal carvings, Cowan's Creek, Bantry Bay, Mossman's Bay, Australia, [

P3188 Photographic prints, (4), aboriginal carvings, Cowan’s Creek, Bantry Bay, Mossman’s Bay, Australia, C1890. Collection: Powerhouse Museum.

The Powerhouse Museum has an amazing range of Australian and international, historical and contemporary objects which tell us so much about who we are, where we came from and perhaps more importantly, they may help us identify who we are now and where we are going. NAIDOC week stands for National Aborigines and Islanders Day Observance Committee. According to the NAIDOC website, NAIDOC Week’s origins “can be traced to the emergence of Aboriginal groups in the 1920’s which sought to increase awareness in the wider community of the status and treatment of Indigenous Australians”. Today NAIDOC Week is commemorated on the first full week of July. It is a time to remember to pay tribute to and recognise Indigenous Australians vital connection and contribution to country, culture and society.
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A sampler from the Australian Gold Rush

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A11064 cross stitch sampler

Detail: Sampler, cross stitch embrodiery on linen, `The Emigrants Farewell and The Emigrants Prayer’, linen / cotton, Maria Tilley, England, 1854.

The detail above is from a cross stitch sampler in our collection titled ‘’The Emigrants Farewell and The Emigrants Prayer’. Stitched along the top of the piece in very faded red thread (which does not really show in the image below) are the words “This work presented by Maria Tilley to her son John in Australia July 28th 1854″

The date is significant because the 1850s were the time of the great gold rushes in eastern Australia. Rich gold finds near Bathurst in New South Wales and then Bendigo and Ballarat in Victoria led to Australia’s population trebling to more than one million people within ten years of the Bathurst discovery. Gold was one of the few ways that an ordinary man could make a better life for himself and his family. Literally hundreds of thousands of men took the long hazardous journey by sea in the hope of ‘striking it rich’ on the gold fields of Australia.
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