Norman Hetherington and Mr Squiggle
Norman Hetherington was a creator of wonder, but also, what may not be as well known, he was a creator of edifying realism. Having served in the Second World War, Hetherington got a taste of and developed a talent for performance art, being part of an entertainment unit. After the war he began making marionettes and puppets, and joined the Clovelly Puppet Theatre. He attended the Australian Broadcasting Commission’s television training school just prior to the introduction of television to Australia, so Hetherington had the opportunity to create a children’s puppet show which aired in 1956. Two years later he developed another show, Mr Squiggle, which ran for four decades.
2000/86/1-2 Badge, ‘WORLD AIDS DAY’, metal, designed by the AIDS Council of New South Wales (ACON) / Commonwealth Dept of Community Services and Health, maker unknown, Australia, 1987-199. Collection: Powerhouse Museum
Since its inception on 1 December 1988, World AIDS Day has played an important role in the ongoing global fight to remove the threat of HIV and AIDS. First diagnosed in 1981, the HIV and AIDS epidemic continues to be one of the world’s most significant public health issues, particularly in less affluent countries.
Underpants worn by James Castrission and Justin Jones during the Crossing the Ice Antarctic expedition. Image courtesy of James Castrission and Justin Jones.
These two pairs of undies are part of a large collection of equipment and personal items used by Antarctic adventurers James Castrission (Cas) and Justin Jones (Jonsey) on their ‘Crossing the Ice’ Antarctic expedition to the South Pole, 2011-2012.
You may rightly notice that the pair on the left does not look like your average pair of underpants and it would not be remiss of you to ask what the unusual thing attached to them could possibly be…
Powerhouse Museum Collection object 94/227/4. Gift of Erica Mann, 1994.
Governor-General Quentin Bryce surprised Australia by mentioning two controversial issues at the conclusion of her final Boyer Lecture. She spoke with her usual grace as she presented positive opinions on both marriage equality and a future Australian republic. While the first issue has only risen to prominence in recent times, the idea of becoming a republic has a long history. This badge, probably made in the 1990s, uses the 1854 Eureka flag as a symbol of republican sympathy. I think it was refreshing to hear Bryce’s forthright declaration that she shares that sympathy, and that she also cares deeply about human rights. The media attention served to prompt me, and I hope others, to listen to her lectures in full.
The image above shows a few of the chairs in storage at the Powerhouse Discovery Centre: the museum’s off site storage and collection care facility at Castle Hill. The collection stores are generally not open to the public but behind-the-scenes tours and open days are programmed throughout the year. Please be seated was one such tour conducted for Sydney Design 2013.
A TARDIS-shaped housing for an early prototype computer-based interactive being developed for the Powerhouse Museum in 1981. Image : Powerhouse Museum
The weekend of November 23/24, 2013 marks the 50th anniversary of the first screening of the iconic British science fiction television series Doctor Who First screened in the UK on November 23, 1963, the adventures of the nameless wandering time traveller and his British police-box-shaped time machine, the TARDIS (Time and Relative Dimension in Space, if you’ve always wondered what that acronym meant), have been shown in countries around the world and become firmly embedded in global popular culture. In this blog post, I’ll explore a few of the Museum’s links to Doctor Who.
Tandem monkey bicycle with toy monkeys. The bike was made by the Edworthy Cycle and Motor Works of Sydney from metal tubing and re-spoked pram wheels. Powerhouse Museum collection 2008/197/2. Gift of Kenneth Edworthy, 2008.
Do you remember the monkeys riding tiny bicycles at Sydney’s Taronga Park Zoo? This miniature tandem bicycle was made for the Zoo’s monkey circus and used between 1936 and 1940. It’s one of the most unusual bicycles produced by the Sydney firm, Edworthy Cycle & Motor Works.
Aibo entertainment robot. Powerhouse Collection object 2000/12/1.
On 24 November 2013, the Powerhouse Museum will host a Mini Maker Faire. This is a spin-off from the US Maker Faire movement, which encourages individuals to make things and share the joy of making. We don’t plan to have our Aibo robotic dog on display for the event, but we do expect some exciting robots to visit along with their makers. There will be other electronic projects, an interactive musical instrument and 3D printers in action, plus food, jewellery, handbags and other accessories made by people who are passionate about the making process.
Nota Type IV ‘Fang’ sports racing car, chassis No. 224/71, made by Chris Buckingham, Nota Engineering, Parramatta, New South Wales, Australia, 1971. Powerhouse Museum collection 90/557.
This Australian-designed and built sports racing car is the prototype for the Nota Type IV ‘Fang’ in the RT (Road Track) Series. It was manufactured in 1971 by a small Sydney-based automobile manufacturer, Nota Engineering, of 40 Smith Street, Parramatta, probably the oldest specialist manufacturer of sports cars in Australia.
2012/69/1 Mixed media assemblage ‘Deja Vu, Review’, mixed material, Kendal Murray, Sydney, New South Wales, Australia, 2011. Collection: Powerhouse Museum
Museums have used toys, models and dioramas to explain and comment on the workings of a larger world. Here, artist Kendal Murray has created a miniature surreal world atop an antique purse though her work Déjà vu, Review’. This sculptural mixed media offers a playful look at the domestic world and holiday culture. The miniature world draws us closer, and invites us to investigate.