Photo of the Day

photos and stories from the Powerhouse Museum

White cranes

November 14th, 2014 by

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The photography of taxidermy specimens in the controlled environment of the studio allowed for aesthetically pleasing compositions using the lighting and length of exposure necessary to capture the maximum amount of detail. When the images were reduced to postcard size, the birds or animals often looked convincingly life-like. Sometimes techniques like shallow depth of field were used to blur the background and enhance the effect of the creatures being in the wild.

 

Photography by Kerry & co. Tyrrell collection

 

 


Ironbark tree

November 13th, 2014 by

Positive image from a scan of a Powerhouse Museum, Tyrrell Collection, glass plate negative

This photograph of a man standing next to an Ironbark tree was taken with the intention of showing the scale of the tree, by inscribing the diameter on the negative, (“46 feet circumference”) and by including a human figure beside it.

According to Wikipedia Ironbark is the common name for a number of species in three taxonomic groups within the genus Eucalyptus that have dark, deeply furrowed bark. Instead of being shed annually as in many of the other species of Eucalyptus, the dead bark accumulates on the trees, forming the fissures. It becomes rough after drying out and becomes impregnated with kino, a dark red tree sap exuded by the tree. The bark is resistant to fire and heat and protects the living tissue within the trunk and branches from fire. In cases of extreme fire, where leaves and shoots are removed, the protective bark aids in protecting epicormic buds which allow the tree to reshoot

Photography by Kerry & Co., Tyrrell collection

No known copyright restrictions

 


Barber at work

November 12th, 2014 by

Document from the Powerhouse Museum Collection

Like his contemporary Hedda Morrison, Russian-born photographer Serge Vargassoff (1906-1965) documented aspects of life in China during the 1920s and 30s. The photograph above, showing a man was having his head shaved, is taken from a glass lantern slide, one of a collection hand-painted by Vargasoff, which exhibit a wide range of colours rarely found in similar colour photographs from this period.

On the right side of the image there is an oven with towels and other tools hanging on a string above.  From the clothing of these two men it can be determined that this photograph was probably taken during the Republic of China

According to collection records, Vargasoff established himself as a professional photographer at the age of 20 in Peking (Beijing), China, and became a long-term resident of the city. Later he established a studio, Serge Vargassoff Photography, at 3A Wyndham Street Hong Kong, as well as working at Gainsborough Studio in the Morning Post Building in Hong Kong. Hedda Morrison writes fondly of Vargassoff in her book, A Photographer in Old Peking (1985),

[Serge Vargassoff] was an excellent, though not very businesslike, photographer. We enjoyed a firm friendship and it was he who brought me the news of the Japanese surrender – and a bottle of vodka with which to celebrate the event.

The two photographers sometimes documented the same subject matter. A similar photograph of a barber at work in the street was taken by Hedda Morrison when she was in China and was posted previously on POTD.

Photography by Serge Vargassoff, Peking, China, 1920-1949, 2010/75/1-69

 

 


Portrait of boy in uniform

November 11th, 2014 by

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This World War One photographic portrait is one of a set of 404 glass plate negatives. They were all taken in New South Wales and the sitters were photographed at a similar time and place in Sydney. Many of the men in the photographs appear to have served with the artillery brigades stationed at ‘The Warren’ in Marrickville, Sydney.

This portrait of a boy in a soldier’s uniform is one of two portraits of children that appear in the set. There is another images of a little girl, posted previously on Photo of the Day, wearing an adult’s bandolier and cap. The masquerade aspects of children in adult’s clothing were a common practice at the time the photographs were taken. The images are now a poignant reminder of the absent adult the losses that may have been experienced by these children in the course of the war.

According the British Library website, children were particularly impacted by the war through disruption to home life and to schooling, absent parents, and deaths of family and family friends. While such experiences were common on the Home Front, children often struggled to understand the reasons behind these events, and the impact upon them was sustained in different, and often more emotional, ways.

For more about this collection of World War 1 photographs, see the Inside the Collection blog.

Photography by unattributed studio

Tyrrell collection 85/1286-965


April showers

November 10th, 2014 by

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This photograph from the Tom Lennon photographic archive shows an unidentified woman farewelling Jack Spooner and his London Savoy Band on the wharf in Sydney, prior to their departure for New Zealand. It was a showery day in April, 1933 and the woman’s umbrella was not only useful but drew the eye of the photographer as well.

The London Savoy band was described by the Wellington Evening Post as ‘eight instrumentalists, all of them artists.

Tom T. Lennon, was a commercial photographer whose studio was at 64 Victoria Road, Drummoyne. The 1796 negatives in the Powerhouse Museum Tom Lennon archive are largely of balls and dinners held in Sydney, but also include weddings, funerals, work events, parties, portraits, pets, fashion, horse races, and various places and events. At the time that this photograph was taken, Tom Lennon was the official photographer for Australian Dance Band News. Other images from the Tom Lennon archive have been posted previously on Photo of the Day.

 

Photography by Tom Lennon 94/63/1-32/15


Rede Hosiery

November 7th, 2014 by

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Working together as a husband and wife team, photographer Bruno Benini and his wife, fashion publicist and stylist Hazel Benini, produced many gorgeous fashion shots, including this dramatic image showing a model’s legs in nude toned Rede stockings below a short cream Leon Haskin flounce skirt, for a Rede hosiery catalogue cover of the 1980s.

This particular shot, like so many others, reveals the calibre of Hazel and Bruno Benini’s professional practice, their inventiveness and also their attention to detail. Here together the Benini’s carefully devise a situation where only the model’s elegantly stockinged legs, her skirt and neatly shoed feet will be visible in the final frame. They achieve this effect by having the model recline back onto a black velvet covered table top, so that only her legs, skirt and shoes get captured in the spotlight.

Mario Re Depaolini’s hosiery plant in Parabiago, Italy, was founded in 1936 by a young, energetic couple devoted to the manufacture of high quality stockings and socks. During the 1980s, Rede hosiery was being distributed in Melbourne by Llama Imports of South Melbourne for whom this smartly designed catalogue was produced.

(Recollect: shoes, the next in the Museums storage display series, opens on November 22. The display will feature more than 700 pairs of the Museum’s world renowned shoe collection spanning over 500 years and seven continents, from the world’s first pair of elastic sided boots to designer names like Louboutin, Yves Saint Laurent and Lacroix.)

Post by Anne-Marie Van de Ven, Curator

Photography by Bruno Benini

© Benini estate


‘A Fine Possession’: Anne Schofield

November 6th, 2014 by

Anne Schofield

This ring is one of the unique items in  Anne Schofield’s collection.  We recently interviewed Anne for our jewellery exhibition ‘A Fine Possession: jewellery and identity‘.  Below is the longer form story we created where Anne reveals  her love of being a dealer specialising in antique jewellery for over  44 years.  In this story she describes;

The desire to adorn oneself t is a really basic human need, primitive and in our makeup.  I love all the pieces in my collection but if i had to choose one  it would be the eye ring, which is the most unusual item in the collection , it’s extremely rare and was very  fashionable in the late 18th Century.

For more on this ring watch the video below.

Video created by Leonie Jones, Media Producer.


The Honourable Edward Gough Whitlam AC QC

November 5th, 2014 by

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As well known for his interest in arts and culture as he was for his achievements in law and politics, former Australian Prime Minister Gough Whitlam (1916-2014) was a regular VIP visitor to the Powerhouse Museum and is shown in the photograph above viewing the exhibition 1,000 years of the Olympic Games in 2000.

Mr Whitlam also contributed to the Museum’s collection in 1995 when he donated two suits, worn on an official visit to Japan. The suits are currently on display in the exhibition Clothes Encounters, stories exploring the clothing worn or created by a diverse range of Australians, from different eras and walks of life, in response to significant political, creative and social encounters in their lives. Mr Whitlam’s story is called When Gough met the Emperor.

Mr Whitlam is remembered fondly by many current and former members of staff, including Jana Vytrhlik, curator of Precious Legacy: treasures of the Jewish Museum in Prague,  who sent the photograph below showing Mr Whitlam at the opening on 17 Dec 1998.

Jana and GW

Gough Whitlam became Australia’s 21st Prime Minister on 5 December 1972. His Labor government, the first after more than two decades, set out to change Australia through a wide-ranging reform program including the drafting of the Aboriginal Land Rights (Northern Territory) Act 1976, the establishment of the Department of Aboriginal Affairs, The Australia Council, the introduction of the no fault divorce with the Family Law Act 1975, free University education, the establishment of the Australian Legal Aid Office, the National Film and Television school, the Australian National Parks and Wildlife Service and the National Health Care system Medibank. Whitlam’s term abruptly ended when his government was dismissed by the Governor-General John Kerr on 11 November 1975.

A State Memorial Service will be held to honour the life and achievements of the Honourable Edward Gough Whitlam AC QC today in the Sydney Town Hall. The service will be broadcast by the ABC.

 

Photography by Marinco Kojdanovski

© All rights reserved


The fashionable horseshoe

November 4th, 2014 by

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The horseshoe was a motif popularised in the late 19th century by British Prince Edward’s enthusiasm for horse racing. The young woman in the photograph above chose to wear a pair of horseshoe shaped earrings for her portrait sitting, a fashion choice that can be seen in other images from this collection.

According to Wikipedia, the association of the horseshoe with good luck may originate with its traditional material of iron, long believed to be a witch repellent. Sailors often nailed a horseshoe to the mast of their ship to keep it safe from storms.

The current MAAS exhibition, A fine possession: jewellery & identity, celebrates the central place of jewellery in our lives, from antiquity to the present day, through a sumptuous selection of jewellery made, worn and collected in Australia.

Photography by unattributed studio, Tyrrell Collection 85/1286-1403

 


Portrait of man with moustache

November 3rd, 2014 by

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This very elegantly dressed gentleman was probably photographed some time in the 1880s.  He chose to have his portrait taken wearing two different jackets. (See second portrait photograph below). In both photographs he wears a cravat pin, a popular form of men’s jewellery in late Victorian times. (The word ‘cravat’ is derived from Croat and was a fashion that first appeared in France, inspired by the uniform of the Croatian troops in the service of the Emperor Ferdinand of Germany during the Thirty Years War. The fashion reached England thirty years later )

The current MAAS exhibition, A fine possession: jewellery & identity, celebrates the central place of jewellery in our lives, from antiquity to the present day, through a sumptuous selection of jewellery made, worn and collected in Australia.

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These two portraits of the man with the moustache have also been chosen to celebrate Movember, which began in Melbourne in 2003 as a light-hearted approach to raising awareness of men’s health. According to the Movember website, men are  typically more indifferent towards their health when compared to the efforts of women who proactively manage and publicly address their health concerns. As a result, levels of awareness, understanding and funding support for men’s health issues lag significantly behind that of other causes. Using the moustache as a catalyst for conversation, Movember hopes to bring about change by providing men the opportunity to learn and talk about their health more openly and by encouraging men to take action.

Photography by unattributed studio, Tyrrell Collection

No known copyright restrictions


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