Monthly Archive for September, 2010

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Digital installation at QVB

This is a digital installation that we have been working on for a while that is now featured at the Queen Victoria building in the city. Over 100 images from the Bruno Benini photographic archive have been selected to feature in this slideshow that is projected onto a screen suspended from the QVB centre dome on level 1.

This digital installation, which coincides with our photographic exhibition ‘Creating the look: Benini and fashion photography’, will be on display at the QVB until 10 October.

Photography by Malcolm McKernan
Photo on screen by Bruno Benini
© All rights reserved

Private George K. Boddington

This black and white postcard photograph is a part of the Boddington Family Collection held by the Museum. This poignant family archive contains many items relating to the loss of two brothers, Frederick E Boddington and George K Boddington who died in action in WW1 at the First and Second Battles of Bullecourt, France, 1917.

This is a photograph of Private George K Boddington, who can be seen at the back left of the photo, amongst a group of convalescent soldiers at the Lord Derby War Hospital, Warrington, England in July 1916. Private Boddington was transferred to the hospital after receiving a shrapnel wound to his right leg in action in France. The hospital, once an asylum, treated over 56,000 wounded soldiers between the years 1915-1920. It resumed its work as an asylum in 1921.

The simple gesture of a hand on a shoulder makes this image a memorable one as it conveys a sense of camaraderie and support amongst the men. The seated nurse in the middle casting a sideways glance at the dog is also a charming, almost domestic touch.

The postcard has been marked on its reverse by George Boddington’s mother, Emily Boddington, simply saying

‘G.K. Boddington convalescing in England after being wounded’.

After five months recovering from his wounds, Private Boddington returned to duty with his regiment, the 11th Battalion, in France and died of wounds received in the second battle of Bullecourt the following May in 1917.

Selected items from the Boddington Family Collection are currently on public display at Display Store, Powerhouse Discovery Centre, Castle Hill.

No known copyright restrictions
Post by Leonie Jones, Rights & Permissions officer

Portrait of Arthur Hackney

This sepia toned photograph is another outdoor portrait from the Wong Ah Sat archive. It was taken in the Bolong district of New South Wales and shows Arthur Hackney, aged around 10, holding a gun and surrounded by evidence of his hunting prowess. Draped around the young boy’s shoulders is a dead snake. Hanging on the shrubs near his head are two dead rabbits, attached to rabbit traps. There are also a number of empty traps and a tin billy attached to the branches. On the ground by his feet are some tools and a small, (live) dog. The whole image has been carefully composed to convey the sense of the young Arthur being an accomplished hunter with all of the survival skills needed for a successful rural life.

The photograph is thought to have been created by Amelia Eve Wong and/or her brother, Henry Hackney Wong, both of whom were enthusiastic amateur photographers. The young Arthur Hackney was one of their relatives.

The father of Amelia and Henry was Wong Ah Sat, who came to Australia from southern China in 1857. In 1864 he married Amelia Hackney, who had come with her prosperous and well-educated family from Manchester, England, where they had been involved in the drapery trade. Sat and Amelia took up a property near Bathurst and later moved to Bolong where they ran a store and raised a large family, becoming respected members of the predominantly Anglo-Celtic farming community.

The Powerhouse Museum holds a collection of objects and photographs from the Wong family, many of which are currently on display in the exhibition, What’s in store? A history of retailing in Australia.

Post by Kathy Hackett, Photo Librarian

Photography by Amelia Eve Wong and/or Henry Hackney Wong

No known copyright restrictions

Back streets of Paris

The Museum may currently be hosting the Creating the look: Benini and fashion photography exhibition which draws on the amazing fashion photography archive of Italian-born Australian fashion photographer Bruno Benini (1925-2001), but among the Museum’s permanent collection there are many other fashion photographs taken by talented Australian fashion photographers over the decades. In the coming weeks we will share a few of these with you.

The shot above was taken by German émigré photographer Henry Talbot (a contemporary of Bruno Benini) in the back streets of Paris in 1967, when Talbot was on assignment for the International Wool Secretariat. The image captures Australian model Judy O’Connell in a boldly striped Pierre Cardin woollen mini dress. O’Connell, and her friend Penny Pardey, were working as house models for the House of Cardin at the time. The colourful dress, knee high boots, model’s stride, Volkswagen Beetle (?) and gritty urban backdrop combine to evoke an adventurous image of youthful vitality. If you enjoy this photograph and haven’t yet seen the Benini exhibition, do pop across to the Museum to see it, as I’m sure you will find it enjoyable, especially the darkroom and Jean-Francois’s digital experience.

Photography by Henry Talbot
© Estate of Henry Talbot
Post by Anne-Marie Van de Ven, Curator

Visitor photography: plasma ball

D7C_6297

This wonderful photograph was taken by one of our visitors to the Museum who has then shared this photo in our Flickr group ‘Me and the Powerhouse Museum’. This shows a close-up of a section of the plasma ball where electrically charged gases move with light and can be felt in your fingertips.

This is featured in our Experimentations exhibition which highlights how scientific and technological breakthroughs have answered questions and changed many of our ideas about everyday phenomena. In this gallery you can experiment with heat, light, chemistry, electricity and movement.

Photography by Mondayne
License: Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 Generic

What’s the significance of the black cat?

Group and a cat inspecting the car "F.H. Stewart Enterprise"

This great image titled ‘Group and a cat inspecting the car “F.H. Stewart Enterprise” comes from the Don Harkness archive collection and we have just uploaded another batch of images from this collection to the Commons on Flickr that includes this image. I am not sure of the relevance of the black cat to this particular image but there are also two small, black kittens perched on the top of the car in this photograph as well. Use the new collection zoom to see this more clearly.

The men in this photo are, from left to right: Jock Clarke (C.C. Wakefield & Co Ltd), Cyril Westcott (General Manager of C.C. Wakefield & Co Ltd Australasia), Norman “Wizard” Smith and Don Harkness. The photo has been inscribed on the front with ‘Best Wishes & Congratulations on your “Enterprise” Cyril L. Westcott August 1931′.

No known copyright restrictions

Henson Park Hotel

This photograph of the exterior of Henson Park Hotel in Marrickville, Sydney and taken in 1936 comes from the Sidney Warden archive collection. The hotel was designed by Sidney Warden for Tooth and Co Limited. Our database states:

Sidney Warden was the most prolific of the several architects who designed hotels for Tooth & Co. Some of the architects who worked for Tooth & Co – Sidney Ancher, Sam Lipson, Rudder & Grout – were better known, but none designed so many hotels or so many well-known hotels.

Here is a comparison shot of the hotel taken back in 2007 by Flickr member FezzusAustralis and you can see that the hotel has not changed much in that time.

No known copyright restrictions

Observing the stars

Observing The Stars (Sydney Observatory Star Trail Photography)

This image of the night sky taken at the Sydney Observatory was photographed by one of the members form our Me and the Powerhouse Museum group on Flickr. The photographer notes on Flickr that the shot was made up of 213 images that have been combined into this one shot.

21:12 -> 23:08 213 images @12mm 5.6 800 ISO 30s exposures stacked. Dome added from a single shot in the set as it was rotating and in use while the shots were being taken.

Photography by dcafe
License: Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 Generic

Faces in the street

This photograph by David Mist, created for his 1969 publication, Sydney: a book of photographs, shows two masked participants in one of Sydney’s Waratah Festival parades. The first Waratah Festival was held in 1956. The festival grew to encompass art, writing, dance, theatre and public spectacle. Its successor, the Sydney Festival, emerged in the 1970s.

Post by Kathy Hackett, Photo Librarian

Photography by David Mist

© All rights reserved

Bondi beach 1969

This wonderful moment of a child wearing sunglasses and a hat whilst having a day at the beach with his family was captured by David Mist and published in his book ‘Sydney, A Book of Photographs’. This was published in 1969 on appeared on page 139 with the caption

to sport themselves in the sun.

This scene was taken at Bondi Beach on what appears to have been a busy summer’s day in Sydney.

This collection of photographs from this particular publication reveals David’s documentary approach to capturing the life in and around Sydney which is very different to his commercial, fashion photography. Included in the David Mist archive collection as well as photographs are negatives and transparencies, newspaper clippings and other forms of biographical material relating to the photographer.

Photography by David Mist
© All rights reserved