Monthly Archive for May, 2010

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Trainspotting:highly commended night shot category

The beautiful image above has been selected as a highly commended shot for our Trainspotting exhibition in the night shot category. It was taken by Gouxian Zhou, Wuhan, China and is titled ‘The night of Marshalling Yard’. The photographers states:

Wuhan North Marshalling Yard, one of the largest in Asia, started
operations in central China’s Hubei province in May 2009.

The other highly commeded photos that were selected for this exhibition in the same category are:

Adrian Roberts, Sydney, Australia with Sleeping giant, Thompson Junction, Zimbabwe

Richard J D Willock, Petersfield, England with Night mail

Lee Baxter, Bargo, Australia with Gleewart Express

Andrew Warren, Thornton, Australia with Dusk train-see our Trainspotting page as Andrew sent his image as a postal entry and not via Flickr

Brad Coulter Jnr, Newcastle, Australia with Belford Crossing.

Warren Miller, Sydney, Australia with Ghum Station, West Bengal

Oliver Jaeschke, Zuerich, Switzerland with Coming and going

The winner of this category is Robert Parnell, St Clair, Australia with his image Ghostly glow. Robert states:

A 9 second time exposure of the only ambient light in the surrounding area — a modern LED railway signal shining in the cool winter air. A speeding freight train has interrupted the chilly stillness for a few moments, and created this scene at the lonely Stuart Town Station.

Congratulations to all these photographers.
© All rights reserved the individual photographers

Setting a sumptuous scene

A theme that emerges from the archive of Italian-born Australian fashion photographer Bruno Benini is his use of artworks as backdrops. In this photograph, used by Henry Haskin on his showroom display card (see image below), we see Catherine Patchell modelling Haskin’s ‘Gown of the Year’ of 1956 in the National Gallery of Victoria. Italian artist Giambattista Tiepolo’s ‘The banquet of Cleopatra’ (1743-44) serves as an ideal backdrop here, as it is large in scale and was hung close to the floor at this time. The scene depicted is from Roman historian Pliny’s Natural History, where Cleopatra takes one of her priceless pearls, dissolves it in a glass of vinegar and then drinks it, thus proving to Mark Antony that she could hold the most extravagant and expensive of banquets. The painting’s sumptuous subject and atmosphere echo the rich embroidered texture and ornate beadwork (approx. 10,000 beads were used!) of Haskin’s gown, now held in the collection of the Jewish Museum of Australia. This photograph is a part of the Bruno Benini photography archive acquired by the Museum with the assistance of the Commonwealth Government’s National Cultural Heritage Account. Creating the look: Benini and fashion photography, an exhibition showcasing Bruno Benini’s work, will open on 31 July in conjunction with the 2010 Sydney Design Festival.

Photography by Bruno Benini
©Estate of Bruno Benini

Post by Alysha Buss, Assistant Curator

Carpet snake swallowing hare

Although this image from the early 1900s is as depicted a “Carpet Snake” the markings on the snake indicate that it is a diamond python. It must have been hard for early farmers to have dealt with snakes whilst clearing land. The pesky reptiles can be quite deadly, especially when things like antivenom were not commercially produced in Australia until the 1930s.

Luckily diamond pythons like the one pictured are not venomous. They are actually quite beautiful animals, and many Australians keep them as pets. I wonder what the early Australian farmers would think about that.

Post by Erika Dicker, Assistant Curator

Photography by Kerry & Co, Tyrrell Collection
No known copyright restrictions

Overlanding

This image from the late 1800s-early 1900s depicts a herd of curious cattle on cleared land, in the background a stockman can be seen perched on a horse. These cattle appear to be Shorthorns, a breed that some claim “built Australia”. A couple of the beasts were registered to have come over on the First Fleet, however unskilled convicts working in a strange environment insured that by 1789 there were fewer cows in the colony than we started with. It wasn’t until 1820 that the Colony in NSW was able to be self sufficient in beef, mostly due to further imports, and shear hard work and determination.

Post by Erika Dicker, Assistant Curator

Photography by Kerry & Co, Tyrrell Collection
No known copyright restrictions

Sydney Harbour

With teen solo sailor Jessica Watson having sailed back into Sydney Harbour after her round the world voyage I thought this image was appropriate for the blog. The circa 1910 photograph depicts a Sydney Harbour scene of eighteen footers racing in choppy water with Fort Denison in the background. The scene will be vastly different as the 16yr old Jessica sails through in the coming weeks.

Post by Erika Dicker, Assistant Curator

Photography by [Arthur Phillips], Phillips Collection
No known copyright restrictions

Victoria Peak shrouded in cloud

In 1868 John Thomson returned from Scotland to set up a photographic studio in Hong Kong and the following year marks the beginning of John Thomson’s Chinese photographs work for his book Illustrations of China and its People. In this year he began taking photographs like this one of Hong Kong with Victoria Peak shrouded in cloud. It was taken from the residence of Messers Jardine Matheson and Co. at East Point.

Photography by John Thomson
No known copyright restrictions
Post by Geoff Barker, Assistant Curator

Trainspotting: Powerhouse Museum photographer’s choice award

Frozen Valley

The image above by Richard Whitford of Sydney, Australia, titled ‘Frozen Valley’ has been selected as the winner for the Powerhouse Museum’s photographer’s choice award. This image is also highly commended in the steam category and is featured in our Trainspotting exhibition. This was actually a very hard decision for the Museum photographers as they picked quite a number of the images as the potential winner but Richard’s image received the most votes.

This is the caption that Richard has provided us for the exhibition.

On the weekend of 15 & 16 February 2010, the Heber Valley Railroad near Salt Lake City, Utah, was running a ‘winter photo freight’ special steam-hauled train. I took the plunge, booked a seat, headed over and was treated to this scene of 2-8-0 steam locomotive No 618 in the stunning Wasatch Mountain Range skirting the frozen Deer Creek Reservoir.

The Powerhouse Museum photographers were impressed by this image because:

it captures a wonderful sense of space, with the train mysteriously appearing through the mist. It’s so surprising to discover that a railroad runs through this remote landscape, let alone that a photographer was there to capture it so well.

Congratulations to Richard on his winning image!

Photography by Richard Whitford
© All rights reserved

Day 183 of 365: My #iphoneography photo a day project

Day 183 of 365: My #iphoneography photo a day project

This great shot was taken by one of our Flickr contacts Michael.Sutton. This interesting shot has been posted to our Modern Times group on Flickr, a group that was set up whilst we were exhibiting Modern Times: the untold story of modernism in Australia. The group continues to attract some great photography and this shot is one of them. Michael has taken this as part of a great project he has set himself, to take one photo everyday with his iphone and add them to Flickr in this amazing set titled ‘365 day project’. Michael is using a fantastic amount of different photographic iphone apps to achieve these interesting shots which he lists as tags. This set is well worth looking thorugh.

Photography by Michael Sutton
License: Creative Commons Attribution-Noncommercial-No Derivative Works 2.0

Monkey bikes

This image accompanied the acquision of two miniature bikes in 2008.

For over thirty years the monkey circus delighted and entertained visitors at Taronga Zoo, overlooking Sydney Harbour. Edworthy was one of several firms that supplied bicycles to the zoo over those years. After a critical review in 1967, the Zoo embarked on its current philosophy of emphasising scientific research, conservation and education. Attractions including elephant rides, miniature trains, a merry-go-round and the monkey circus were removed. The monkey circus closed in October 1967. Zoo’s have come a long way since then!

Photography by Mr W.H. (Bill) Saunders.
© All rights reserved
Post by Erika Dicker, Assistant Curator

Trainspotting: the exhibition opens today



_MG_5125, originally uploaded by IdahoScenicImages.

We are very excited to be launching the Trainspotting exhibition today. Our gallery is filled with 47 images selected for this display representing the wonderful images that were added to our Powerhouse Museum photo competition group on Flickr. Over the next few weeks I will try and blog as many of the images that are featured in our gallery. I will start by mentioning all the highly commended images by their category in separate posts. First up being the Steam category.

The Highly Commended images featured in this exhibition from the Steam category are:

The image shown above titled ‘Steam power’ was photographed by Linda Lantzy, Coeur d’Alene, USA.

I happened upon the Daylight 4449, steaming in the predawn
light, in Whitefish Montana. The raw power of this steam engine
against the moody skies couldn’t be passed up. The Southern
Pacific’s historic steam locomotive was on a rare cross-country
excursion from Owosso, Michigan to Portland Oregon.

Richard J D Willock, Petersfield, England with his image ‘Coming up with the goods’

David Hill, Midhurst, England with his image ‘Sandaoling dawn’

Richard Whitford, Sydney, Australia with his image ‘Frozen valley’

Stephen Thomas, Ynysybwl, Wales with his image ‘Locomotive No 60009 Union of South Africa on Victoria Bridge’

Eric Guaglione, Sydney, Australia with his image ‘Submerged in steam’

Adrian Roberts, Sydney, Australia was the winner of the Steam category with his image ‘African sunrise, Figtree, Zimbabwe’

The photographers for these images have provided some great captions and I will be blogging them individually with these over the coming weeks.

Photographs © All rights reserved the photographers