Monthly Archive for December, 2009

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The music cube

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Using video, lighting and sound, the Music Cube, featured in The 80s are back, immerses the visitor in a 1980s dance party.

Dance parties emerged from an underground subculture as a new form of popular entertainment. Pioneered by the Recreational Arts Team, dance parties satisfied the primal need to celebrate en masse. DJs became an advertised attraction, pumping out high volume dance music. Experimental recording artists like Severed Heads delivered electronic and techno sounds. Video artists created visual effects to go with the music. By 1989 Sydney was buzzing with the excitement and energy of huge events such as the stylish and theatrical Sweatbox parties.

You can see other images of the music cube here and we will be adding more images and video clips to this page over the period of the exhibition.

Photography by Emma Bjorndahl
© All rights reserved
Post by Peter Cox, Curator

Fashion on South Melbourne Beach

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A bleak and breezy day on South Melbourne Beach forms an evocative backdrop for this fashion photograph of 1961 by Bruno Benini showing Janice Wakely modelling a Cole of California swimsuit with long black tapered sleeves and scoop neck edged with gold lurex. Museum photographer Jean-Francois Lanzarone has meticulously digitized this colour positive image from a scan of the original 4 x 5 inch colour transparency in the Bruno Benini photography archive.

Benini’s remarkable fashion photography collection was acquired by the Powerhouse Museum earlier this year with funding assistance from the Australian Government through the National Cultural Heritage Account. The tent-like structures in the photograph were styled by Bruno’s wife, Hazel Benini. Hazel recalls that she was actually inside the second tent during the photo shoot, holding the fabric together because it was a terribly windy day.

Photography by Bruno Benini
© Estate of Bruno Benini
Post by Anne-Marie Van de Ven, Curator

Community constructed title wall

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This is the title wall made out of cubes that can be seen at the entrance to our upcoming exhibition The 80s are back. The cubes were put together by members of the public who attended a morning session at the Museum last week that helped us to make this feature. We got to meet some amazing people including an 8 year old boy that could solve the Rubik’s cube puzzle in less than two minutes and Ankur Chaudhary who you can see solve the puzzle in 60 seconds which we have posted to YouTube.

Photography by Paula Bray
License: Creative Commons Attribution-Noncommercial-No Derivative Works 2.0

Lodore Falls

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The beauty of the Blue Mountains forests has attracted bushwalkers and tourists since the 1890s. With other naturalists, Myles Dunphy explored, mapped and negotiated for 30 years to get the Blue Mountains National Park established in 1959. The Greater Blue Mountains Area was declared a World Heritage site in 2000.

Its sandstone plateaus have deep crevices which have their own microclimates. During climatic changes in the past, animals and plants found refuge in these crevices when conditions in other areas became unsuitable.

Photography by Henry King Studio
No known copyright restrictions
Post by Sandra McEwen, Principal Curator

Surry Hills circa 1900

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This image, showing a very sparse Surry Hills circa 1900, comes from the Phillips photographic collection. In our collection database the house has been identified as the ‘Phillips’ old homestead in Surry Hills’. This small and rather unusual collection of glass plate negatives were found in a deal box in the garage of a house in Latimer Road, Bellevue Hill and was late identified by Neville Phillips in 1989.

The donor Raymond Phillips was a rotograver and for many years was responsible for the Australian Women’s Weekly cover. His father, Arthur Phillips, was a gold and silver merchant and was possibly the photographer of the glass plate negatives.

According to The City of Sydney, Surry Hills at the turn of the century was a maze of narrow lanes with rows of houses in close proximity that numbered 776 in total. You can do this street comparison that shows the width of the streets from 1900 compared to 2003.

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Sand mandala

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This wonderful sand mandala has been created by the Tibetan Monks who have been visiting the Museum over the last week. This amazing, colorful creation has been slowly produced from millions of grains of coloured sand that are carefully placed in geometric designs and patterns. According to Buddhist scripture, mandalas transmit positive energy to people and the environment.

The Monks will be working on the mandalas until Monday 7 December and then they will be destroyed on 8 December. We have been shooting a time-lapse sequence of the mandalas being created and we will share this with you as soon as it is finished.

Photography by Paula Bray
© All rights reserved

Garden Palace: New Zealand display

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This photograph shows the New Zealand displays nestled next to the stairwell attached to the central dome. The central focus of the display is complete skeletons of the extinct Moa bird and their eggs. This is flanked by a diorama of the volcanic system of the central North Island mountains of Ruapehu and Tongariro and a display of sacking by the Jute Mill Company

Photography by Messrs Richards and Company
No known copyright restrictions
Post by Geoff Barker, Assistant Curator

Tibetan Monks visit the Museum

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The Museum is host to a remarkable unfolding of a new universe near the main entrance. This one is a mandala for healing the sick – Buddha Amitayus (Tsepa-Mey) being built by three visitng Tibetan Monks from the Dakpa Khangsten Drepung Loseling Monastery in southern India.

A Tibetan sand mandala is a tool for gaining wisdom and compassion. Monks meditate upon the mandala, imagining it as a three dimensional palace with a principal deity housed in the centre. The next to be built is the mandala for spreading Long life and peace throughout the world — Buddha Akshobhya ( mitrukpa) .

According to Buddhist scripture, sand mandalas transmit positive energies to the environment as well as the people who view them. A mandala’s healing power extends to the whole world even before it is swept up and dispersed in water, a further expression of sharing the mandala’s blessings with all.

The monks are creating the mandalas until Monday 7 December, and will be destroyed on 8 December. If you are interested in learning more about our Tibetan visitors click on the World Maitreya Karuna Foundation (WMKF), a registered non-profit organisation established by Geshe Lharampa Tenzin Demchok.

Photography by Sotha Bourn
© All rights reserved
Posty by Helen Whitty, Manager Public Programs

What’s your Rubik’s cube story?

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This is Luke Dearnley’s (Web Team) original Rubik’s cube from the 80s that he has brought into work because everything at work at the moment is all about this extravagant decade. This is Luke’s story about his Rubik’s Cube:

So, it was 1980. I was ten. And like most nerdy kids of that era I was given a Rubik’s Cube. Shortly afterward I also got Don Taylor’s excellent ‘Mastering Rubik’s Cube’ book. And thus after a bit of practice I was able to solve the cube in around 90 seconds. Nothing too special given the feats the speed-cubers achieve. But it was fun and I enjoyed showing people how the cube worked and trying to explain how to solve it. Of course this meant occasionally taking the thing apart to demonstrate its structure.

And so it was probably that which lead to a piece going missing one day. The white-yellow edge piece to be precise. Now in my family the typical reaction to something breaking is not to buy a new one but to repair it. And this situation was no different! My dad immediately set about constructing a replacement part. I think he used paxolin (a kind of synthetic resin bonded paper typically used as an electrical insulator) and carved an extremely accurate solid replacement. A couple of pieces of yellow and white electrical tape acted as the labels and like magic my cube was fully operational once again!

While my ability to solve it has faded over time, the cube itself is still going strong to this day, working just as well as if it had all original parts. Even the electrical tape is still holding fast!

Perhaps you have a story to share!

If you are interested in solving cube puzzles you might like to join us in the Museum this morning between 8-10am where there will be 1,176 cubes that we need assistance with to turn them all into a title wall for our exhibition the 80s are back. Register here if you can come along.

Photography by Paula Bray
License: Creative Commons Attribution-Noncommercial-No Derivative Works 2.0

Garden Palace: Southern nave

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This photograph was taken from the ‘Garden Palace’ dome looking down the southern nave and provides us with one of the best views in this album of the New South Wales displays. In the foreground we can see the Department of Mines displays, more of which are visible in the galleries with their false walls above. Here, above the Goulburn displays, we can see examples of coal sections and also a line of neatly laid out native timber samples.

No known copyright restrictions
Post by Geoff Barker, Assistant Curator