Monthly Archive for August, 2009

Pyrmont Bridge in Darling Harbour

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Wandering around Darling harbour on a glorious spring day, it was striking to come across this local historical image prominently displayed on a temporary wall alongside the path. In direct contrast, just beyond the wall a dull cacophony of mechanical noise was a reminder of Sydney’s continuing transformation. This remarkable photograph, copied off a glass plate negative and simply known as ’Pyrmont Bridge’ is from a collection of local NSW photographs that were published by Sydney firm Charles Kerry and Co, between 1892 -1917. This collection is part of the Powerhouse Museums extensive Tyrrell collection. The photograph documents the busy bridge with wonderful clarity and depth. The details of the bustle of Sydney life circa 1900 are preserved, with careful observation revealing intriguing detail such as the “sparrow starver,” or a boy paid by the council to collect manure off the street.

Photography by Paula Bray
License: Creative Commons Attribution-Noncommercial-No Derivative Works 2.0
Post by Emma Bjorndahl, Digital Services volunteer

Dazzling Macedonian costume

Photo Nº: 00z35336

Worn for both warmth and decoration the vest was central to traditional Macedonian costume. This typical design from the village of Dolenci was decorated and worn by Blaguna Nikolovska. It is currently on display in the exhibition Ties with tradition: Macedonian apron designs.
Blaguna described how;

The vest is the main part of our costume worn over the chemise, we call it cosula. It is all handmade at home with wool; it is lined and decorated with embroidery, buttons and appliqué. It was important to never wash the cosula after it was made as it would be ruined. Over the vest the apron or alena is worn with a long belt tied around the waist.

I would like to thank Blaguna for her enthusiasm and willingness to share her memories of traditional Macedonian costume.

Photography by Marinco Kojdanovski
© All rights reserved
Post by Rebecca Evans, Assistant Curator

A soulful Lovelace Watkins

Photo Nº: 00x11868

Trained as both an opera singer and a boxer, Lovelace Watkins (1938–1995) was a Las Vegas-based soul singer and performer with a charismatic style and velvet voice. Nicknamed ‘The Black Sinatra’, he toured nightclubs and venues around the world including in Europe, South Africa and Australia. With his signature boom voice reminiscent of Paul Robeson he received critical acclaim in South Africa at the height of apartheid with a street parade held in his honour. Bruno Benini captured this shot of Lovelace Watkins while he was visiting Melbourne during the sixties. The photographer’s widow, Hazel Benini recalls: When Bruno took this shot he really thought he’d captured a great moment. He felt there was an anguish there. He really liked that shot (Hazel Benini interview with curator, December 2008). The photograph is part of the Bruno Benini photography archive acquired with funding assistance from the Australian Government through the National Cultural Heritage Account in early 2009.

Photography by Bruno Benini
© Estate of Bruno Benini
Post by Anne-Marie Van de Ven, Curator

Shop signs



Marie Louise, originally uploaded by kagemusha110.

The design of the Marie Louise shop sign, with its charmingly coiffed lady, speaks of the kind of service and hairstyles that you might expect to receive at this old fashioned salon (and the uninflated prices you might expect to pay). This photograph was taken by Oliver Teicke, who regularly contributes to the museum’s Sign Design in Australia Flickr group under the name of kagemusha110. It is one of series of shop signs that Oliver photographed in Newtown in Sydney’s inner west. Even in this photograph several eras are represented, with the new sign on the Razor’s Edge Restaurant the most recent and the most coolly stylish.

The Marie Louise hairdressing salon is a landmark in Enmore Road. Its gorgeous pink and blue façade sits incongruously in a row of much less flamboyantly converted late Victorian-era shopfronts. Some writers have referred to the façade as Art Deco, but I’m not so sure. I think it is more recent than that, but I have probably left it too late to ask the proprietress, Miss Mezher, as the salon has been closed for some months. Another striking photograph of the salon was contributed to the Sign Design group by funkyphoto1 (Steve Turner).

Photography by kagemusha 110
License: Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 Generic
Posted by Megan Hicks (meganix), Sign Design in Australia team

Common Ground: a crowd curated meetup

We want to meet you!

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We are very excited to announce that we will be participating in the global Flickr Commons meetup that will be held on the 3rd October on the forecourt of the Museum. This meetup is going to be celebrated by as many of the institutions that are involved in the Commons on Flickr on the weekend of the 2nd-3rd October. This global meetup is touted as a chance to get to meet our online community and you can meet the staff that work on the Commons and get a chance to discuss a range of topics, issues, interests and basically everything about the photographic collections in the Commons.

The interesting thing about this meetup is that the content is going to be curated by the Flickr community. There is a selection process that Flickr members can access to select content form every institution that will end up as a slideshow that the participating institutions can project onto their buildings at night or another suitable location.

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Artist impression

Our event takes place on Saturday the 3rd October from 6.30pm. This is similar to an open cinema event where you can bring a picnic, cushions and chairs and sit back and enjoy a fantastic slideshow of amazing historic photographic collections from all over the world. We will have some exciting giveaways and surprises for the night. The following day we will be discussing this event and all things Flickr Commons including some surprise guests. Keep up with the all the news and details for Common Ground here .

If you have a Flickr account then you can vote – we look forward to meeting you!

Top photo includes images from all the Flickr Commons accounts
No known copyright restrictions

Powerhouse Museum Photography by Marinco Kojdanovski
License: Creative Commons Attribution-Noncommercial-No Derivative Works 2.0

Darling Harbour 1985

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This photograph depicts Darling Harbour in 1985. The railway goods yard was gone but construction of Neville Wran’s ‘place for people’ was yet to begin. The only new structure at Darling Harbour was an unfinished freeway, planned to cut a swathe through Glebe and other inner-suburbs but aborted by resident opposition. The Darling Harbour redevelopment would open in just two years.

John Andrews took the photograph as he started work designing the Sydney Convention Centre, perhaps the most-used and most successful of the various Darling Harbour venues. John Andrews, who recently donated his design archive to the Powerhouse, was the first Australian architect to gain an international reputation. During the 1960s and 1970s he designed university campuses, colleges and schools in Canada and the USA; his work shaped the architecture of the higher education boom of the time. In Australia John had a similar influence on campus architecture, while also designing innovative office complexes, convention centres and hotels.

Like Darling Harbour, the Powerhouse was a product of the 1980s Bicentenary boom. This photo will feature in The 80s are back exhibition, opening in December.

Photography by John Andrews
© All rights reserved
Post by Charles Pickett, Curator

Melb Uni :: Car Park



Melb Uni :: Car Park, originally uploaded by geekylucas.

This fantastic image was shot by one of the photographers that has been contributing to our Modern Times group on Flickr. This incredibly graphic shot has been lined up with the great perspective of looking down the long line of the large, arched concrete pillars with the red car just to the left.

Modern Times: the untold story of modernism in Australia, is currently on show at the State Library of Queensland until the 8th November. ‘Modern times: the untold story of modernism in Australia explores the transformation of all aspects of modern life and focuses on our unique experience of modernism. Objects drawn from five decades – 1917 to 1967 – reveal how our cosmopolitan culture was shaped.’

If you are in Brisbane you might like to check out the modernist architecture Walking tour provided by Brisbane Modern magazine. We would love to see some of these buildings in our group on Flickr.

Photography by geekylucas
© All rights reserved

Visitor written label



Visitor written label, originally uploaded by Powerhouse Museum.

This is a label that has been created by one of the visitors to The Odditoreum. This display features a selection of weird and wonderful curiosities from deep within the vaults of the Museum’s collection. Visitors are encouraged to write their interpretation of what these objects may mean to them.

This label reads:

“In 1932 doctor Louie Stiles found these huge peas and other gigantic vegetables in the previously unknown land of Visplurgia. He returned to Australia excited that many people could be feed during the depression he was stoped and killed by Mr Heinz who saw a threat to his canned vege empire” Louie age 8

Photography by Paula Bray
© All rights reserved

Advertiser Building

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What does it say about our highly textualized cities when even the decoration on buildings is in the form of writing? The Advertiser Building is the new head office for Adelaide’s major newspaper so a print motif, in this instance at least, seems appropriate. According to The Australian Institute of Architects, the architect states “innovative breathing ‘Second Glass Skin’ across the Waymouth Street frontage … provides acoustic and thermal protection and shading as well as providing a distinctive urbane and graphically communicative façade”.

Gary Sauer-Thompson who contributes to the Museum’s Sign Design in Australia Flickr group under the name of ‘Poodly’ – captured this intriguing shot of other buildings reflected in the glass panels, but points out that the building as a whole is disappointing in terms of sustainable design and did not achieve the five-star ‘green’ rating that Rupert Murdoch promised.

Surface text is also a feature of a proposed new building recently announced for the University of Technology, Sydney. According to the Sydney Morning Herald “massive uneven aluminium shields strike out from the 12-storey building at acute angles [and] binary coding – the foundation of computing and telecommunications – is laser-cut into the shields. The square zeros and dashed ones can be translated into ‘University of Technology Faculty of Engineering and Information Technology’ “. The university’s Vice Chancellor is reported as saying that he thinks the building design is fantastic. “It spells out what we are about: technology innovation and creativity.’’ Spells out? Well, yes.

Photography by poodly
© All rights reserved
Posted by Megan Hicks (meganix), Sign Design in Australia team

I have just created something wonderful and hidden it from the world!

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It’s a strange feeling. As a curator, one of our jobs is to put together interesting displays for the public to see, and it takes the help of a lot of Museum staff to get a showcase like this installed, cleaned, and objects inserted.

The showcase was created to compliment our “Dark Science” adult’s only events coming up next week. The content has been deemed to risqué for the eyes of the many school aged children that pass through the Museum’s foyer each day, so we have covered it up, to be revealed for the night time events only.

This was a great opportunity for me to dig deep into our collection, and pull up some really interesting, never displayed objects, and put them together in a display that challenges people to think about some of the ‘darker’ areas of science.

Are you intrigued yet?

I cant reveal what’s under the covers! But if you’re interested in finding out you can book the events here

Photography by Paula Bray
License: Creative Commons Attribution-Noncommercial-No Derivative Works 2.0
Post by Erika Dicker, Assistant Curator