Monthly Archive for June, 2009

Page 2 of 3

Kiama quarry: supplying ‘blue metal’ for Sydney

By 1880 roads, tramways and railways were expanding in and around Sydney. This created demand for large amounts of crushed hard rock. Most of the rock came from basalt quarries at Kiama. It was crushed using steam power, and then carried by horse, cart and rail to boats waiting in the harbour.

Although Kiama is 120km south of Sydney, it falls well within the ecological footprint of the larger city. Like most metropolises, Sydney consumes resources from an area many times its own size.

Photography by Charles Kerry Studio.
No known copyright restrictions
Post by Sandra McEwen, Principal Curator

Do you use a twin lens reflex camera?



, originally uploaded by *Cyrus*.

This great image was taken by a member from our Modern Times group on Flickr . The photographer has kindly agreed to share some of the fantastic images in his photostream. I have been enjoying looking through the 6×6 square set this photographer has produced and consequently found this image of the twin lens reflex camera.

Did you ever use one of these cameras? Do you feel nostalgic about this medium in a digital environment? I am curious about how you feel about 120 roll film.

Photography by Cyrus
© All rights reserved

Storm clouds over Sydney Observatory

95.239.15

Starting in the 1890s Russell began taking detailed photographs of the moon and meteorological events which occurred in Sydney. This photograph is one of a series illustrating storm cloud formations which Russell took from the Sydney Observatory.

The early photographic emulsions were more sensitive to blue light and this made it difficult to record sky and land features at the same time. This in part accounts for the dark area at the base of the photograph but it remains a significant illustration of the importance of Russell’s meteorological work in the 1890s.

No known copyright restrictions
Post by Geoff Barker, Assistant Curator

Boambee Creek



Boambee Creek, originally uploaded by Powerhouse Museum.

This image was taken whilst on location shooting for the Indigenous Women’s exhibition Yinalung yenu: women’s journey. A few of us were fortunate to travel to the north and northwest of NSW to photograph some of the women featured in this exhibition. There were four days of location photography and portraits done through regional parts of New South Wales including Tingha and Coffs harbour. The aim of the trip was to document the stories of two of the women featured in the exhibition. The exhibition reveals the stories of six prominent Indigenous women and the important roles women have played in Australian society, from traditional times to today.

This shot was taken at the end of the days shooting close to our accommodation in Sawtell. Boambee Creek is located 10mins drive south of Coffs Harbour. According to the NSW Department of Natural Resources this waterway runs for 10km and enters the ocean at the southern end of Boambee Beach.

Photography by Paula Bray
License: Creative Commons Attribution-Noncommercial-No Derivative Works 2.0

Madame Juliette Henry

00225376

Nineteenth century studio portraits such as this one of Madame Juliette Henry often depicted people with props to indicate their profession or social status. The scroll held by Mme Henry is likely to be an allusion to her role as founder of the Cercle Litteraire Française, (French Literary Circle), a group dedicated to the study of French literature and culture which convened at Tattersall’s chambers in Hunter Street, Sydney. Before founding the Cercle, Mme Henry was listed in the Sand’s directory variously as a teacher of French, a professor of languages and an artist.

Madame Henry was the wife of the French Australian artist, Lucien Henry. Both were deported to New Caledonia following their involvement in 1871 Paris Commune. They later settled in Sydney where Lucien Henry became an influential artist and teacher. This photograph was taken some time between 1890, when the photographer, Charles Kerry, received Vice-Regal patronage, (as indicated on the photograph’s mount), and Madame Henry’s death in 1898.

The Powerhouse Museum holds the largest collection of Lucien Henry’s work and in 2001 held an exhibition entitled, Visions of a Republic: the work of Lucien Henry. Paris, Noumea, Sydney.

Photography by Charles Kerry studio.
No known copyright restrictions
Post by Kathy Hackett, Photo Librarian

Holman House



Holman House, originally uploaded by gravestmor.

This great image showing an architectural detail of Holman House in Dover Heights was taken by one of the members in our Modern Times group on Flickr. Durbach block architects designed the house and they have some great photos of this house on their site. The house was completed in 2004 but seems to hold some distinct, modernist qualities that make it an exceptional piece of architecture. The Durbach block architects state:

“The elastic geometries of this house stretch to reach the edges of the site and its astonishing outlooks and vantage points.”

You can read more about this house at gravestmor , written by this photographer. He has taken another great shot of this house from the cliffs below looking up from the other direction. This shot shows how dramatic the cantilevered house actually is in relationship to the environment. It must have the most amazing views.

Photography by gravestmor
License: Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 Generic

Cattle grazing near Mt Kosciuszko: a fragile environment.

Farmers and drovers took sheep and cattle to graze in the high country every summer from 1830 to 1969. Pastures were burned to produce fresh and green growth. Animals selectively ate soft plants between tough tussock grasses, leaving large areas of soil exposed to wind and rain. It caused soil erosion and habitat destruction.

In 1943 state governments introduced snow leases to restrict grazing seasons. Kosiusco State Park (now Kosciuszko National Park) was established in 1944 and grazing stopped completely in 1969. The focus then turned to tourism and preservation of biodiversity.

Photography by Charles Kerry Studio.
No known copyright restrictions
Post by Sandra McEwen, Principal Curator

Our photography studio

Photo Nº: 00z30593

Photo Nº: 00z30594

This is where all our studio images are taken. It is a decent sized studio at 8.5×8.5m with a 3.9m ceiling. Most of our photographic work takes place here. The postproduction area is in another room adjacent to the studio. We have started experimenting with shooting some audio visual, behind-the-scenes documentation of our photographers at work and we will be sharing these with you soon. We have had thousands of objects in this studio including a small car.

Photography by Geoff Friend
License: Creative Commons Attribution-Noncommercial-No Derivative Works 2.0

Oddie telescope, Mt Stromlo, Australian Capital Territory, 1920-1930

P3549-209

James Oddie came to Victoria in 1849. There he set up a small foundry in Geelong before eventually trying his hand on the goldfields in Ballarat. But it was as a businessman rather than a miner that he eventually made his name. After setting up both shops and a bank he was elected Ballarat’s first Mayor.

A confirmed Wesleyan, Oddie’s strong moral sensibility led him to work tirelessly to help others. Impressed with the popularity of the local astronomy courses he funded a private observatory for the people of Ballarat. This piece of philanthropy cost Oddie 4000 pounds by the time it was completed in 1886.

A 9-inch equatorial telescope, made by Howard Grubb, was purchased for this observatory in 1888. Although a high quality instrument it was not used very much while at Ballarat and in 1910, was eventually offered to the Commonwealth Government. This telescope, along with a 26-inch reflecting telescope, was accepted and became the central pieces of the new Solar Observatory set up at Mount Stromlo.

No known copyright restrictions
Post by Geoff Barker, Assistant Curator

A playful moment at the races

This great moment captured by Tom Lennon was taken at Warwick farm racecourse on New Year’s Day back in 1934. The playful moment may have been captured by the photographer as he happened to witness the sharing of ice cream or perhaps it was staged. Judging by the other images taken at the racecourse, it was captured as it happened. I will load the other images to the Commons on Flickr in the next few uploads for you to compare. We uploaded this one yesterday.

Tom Lennon was a commercial and portrait photographer, operating his studio at 64 Victoria Road, Drummoyne, NSW during the 1930s and 1940s. We have acquired 1796 negatives from this collection that cover topics such as balls and dinners held in Sydney, weddings, funerals, work events, parties, portraits, pets, fashion, horse races, and various places and events in Sydney.

Photography by Tom Lennon
No known copyright restrictions