
Nineteenth century studio portraits such as this one of Madame Juliette Henry often depicted people with props to indicate their profession or social status. The scroll held by Mme Henry is likely to be an allusion to her role as founder of the Cercle Litteraire Française, (French Literary Circle), a group dedicated to the study of French literature and culture which convened at Tattersall’s chambers in Hunter Street, Sydney. Before founding the Cercle, Mme Henry was listed in the Sand’s directory variously as a teacher of French, a professor of languages and an artist.
Madame Henry was the wife of the French Australian artist, Lucien Henry. Both were deported to New Caledonia following their involvement in 1871 Paris Commune. They later settled in Sydney where Lucien Henry became an influential artist and teacher. This photograph was taken some time between 1890, when the photographer, Charles Kerry, received Vice-Regal patronage, (as indicated on the photograph’s mount), and Madame Henry’s death in 1898.
The Powerhouse Museum holds the largest collection of Lucien Henry’s work and in 2001 held an exhibition entitled, Visions of a Republic: the work of Lucien Henry. Paris, Noumea, Sydney.
Photography by Charles Kerry studio.
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Post by Kathy Hackett, Photo Librarian
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