Monthly Archive for June, 2009

Waiting for the transit of Venus

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This image from an original glass plate negative held in the Powerhouse Museum Collection shows observation camp set up in the Blue Mountains for the 1874 transit of Venus. This was an event of great significance for scientists and special observation posts like this were set up around the globe. This camp was on the property of A. Fairfax in Woodford in the Blue Mountains. Present at this site were seven observers P. F. Adams Surveyor-General, G. D. Hirst a well known amateur astronomer, Mr. Vessy of the Trigonomical Survey, Mr. Du Faur of the Survey Department, J. Bischoff the photographer and two unnamed carpenters.

The special telescope (photoheliograph) operated by G. D. Hirst was the same as those used by five other observatories which were part of the Royal Observatory Transit of Venus program. The others went to Honolulu, Mokkatam, Rodriguez, Kereguelen and Burnham. The photoheliograph was made by J. H. Dallmeyer to accommodate a special piece of photographic apparatus designed by Janssen and de la Rue which took 6.5 inch circular photographic plates.

Photography by Joseph Bischoff
No known copyright restrictions
Post by Geoff Barker, Assistant Curator

Sydney Opera House



Sydney Opera House, originally uploaded by luckyrob.

This beautiful, black and white image showing the Sydney Opera House was taken by one of our contacts on Flickr from our Modern Times group . The simplicity of this shot for me makes it stand out compared to the typical image of the Opera House as tourist attraction. It is such an interesting building to photograph particularly when the details become the focus.

According the Sydney Opera House there are 1,056,006 tiles that cover the shells of this landmark, architectural masterpiece. Jørn Utzon wanted the impressive shell constructions to contrast with the dark water of Sydney Harbour to give the impression of sails on water.

Photography by luckyrob
License: Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 Generic

Tribute to Magritte



Tribute to Magritte, originally uploaded by Powerhouse Museum.

From the North Sydney Olympic pool you look up at the bridge that crosses the harbour just above your head. You see Luna Park’s entrance, the Opera House, the tops of buildings in the city catching the first rays of the morning sun, the observatory or the Walsh Bay docks…some people will simply look at the clouds through the large windows of the main staircase, the former entrance to the pool. Where Magritte would have looked if he had come for a swim!

Photography by Jean-Francois Lanzarone
License: Creative Commons Attribution-Noncommercial-No Derivative Works 2.0
Post by Jean-Francois Lanzarone

One million views

Our Flickr Commons account has just reached a landmark figure of one million views. These statistics have far exceeded our expectations on the reach that a small selection of reproductions from our photographic collections could achieve. But it is not just about the number of views! We are inspired to see the level of commitment to our images from our contacts and the broader Flickr community and the other incredible collections loaded by the participating institutions on the Commons. You have made our photographic collections richer through citizen research, comments, tags and innovative projects. Thank you!

This particular image was loaded to the Commons this week. It was photographed by Tom Lennon, a commercial and portrait photographer, who operated his studio at 64 Victoria Road, Drummoyne, NSW during the 1930s and 1940s. This image shows hikers alighting at Waterfall Station during Mystery Hike No. 1 that was from Waterfall to Audley in the [Royal] National Park on 26 June 1932.

In 1932 five mystery hikes around Sydney were organised by the railways, with the department store F.J. Palmer and Sons as the commercial sponsor. Hikers purchased a two-shilling train ticket and joined a train from Central Station to a mystery destination

Photography by Tom Lennon
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What’s in the workshop #2

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Thanks to everyone for the wonderful response to our first post in the ‘What’s in the workshop series’. We will definitely be bringing you more of these over the coming weeks. I am now seeing the workshop in a new way. Paula

Look what we found in the workshop this morning!

Initially I thought it was some kind of invention, using peddle power to get yourself to the shops whilst drying your clothes at the same time. Everyone loves a Hill’s Hoist , it’s a great Australian design icon , so why not throw one onto a quad bike? Brilliant.

But, as a curator I should probably do a little research before I make such outrageous suggestions.

The bike was actually used in one of Sydney’s biggest street parades called the ‘Journey of a Nation’ on January 1 2001. It was a parade that attempted to recreate the Federation Parade (see ABC) in 1901, which almost solely featured soldiers and dignitaries.

The parade in 2001 was used to illustrate how far we had come as a nation and included Aboriginal Australians, women, as well as some of our greatest innovations.

I am beginning to think the Powerhouse has a fetish for strange things on wheels (ie prawn bike and licorice shoe trike). The only thing this wheeled wonder is missing is the oversized apples! Then it’s out of the workshop and off to the Odditorium.

Photography by Paula Bray
© All rights reserved
Post by Erika Dicker, Curator

Down in the basement: working in the costume and textile store

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This image shows two of our conservators working on the costume collection down in the basement. Suzanne Chee and Sarah Pointon are in the costume and textile store trying to rehouse and improve the storage of our clothing and dress collection. This requires the conservators to wear gloves to protect the garments as they pad them out with acid free tissue.

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This was a bit of fun Sotha had photographing Sarah and Suzanne during the shoot.

Photography by Sotha Bourn
© All rights reserved

Billiards in Woolloomooloo

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This image, of three young boys playing billiards, comes from the David Mist photographic archive. This particular shot was taken in Woolloomooloo and was published in David’s book about life in Sydney under the title “Boys practise a man’s game in the inner suburb of Woolloomooloo.” The book, ‘Sydney, A Book of Photographs’, was first published in 1969 and features some of David’s candid moments of city and suburban life in and around Sydney. The image above appeared on page 87 of the book.

The Museum acquired the David Mist archive in the 90s, this includes biographical material, portraits of David Mist , magazines and tear sheets featuring Mist’s fashion and other commercial photography, transparencies and negatives relating to Mist’s ‘Sydney’ and ‘Made in Australia’ books, prints, transparencies and negatives relating to David Mist’s Australian Centre for Photography exhibition ‘Mysteries’ of 1978 etc.

Photography by David Mist
© All rights reserved

Wai Sing sign



Wai Sing, originally uploaded by Heywood Industries.

Some people still enjoy taking photographs with a film camera. Jez Heywood is one of those people and he regularly contributes his efforts to the museum’s Sign Design in Australia Flickr group under the name of ‘Heywood Industries’.

Jez grew up with SLRs because his father was a pro photographer. He has been shooting for the past 15 years or so, but says the bug has hit hard recently, partly because he is now able to afford to pay for cameras, repairs and film, and partly because he needs a creative outlet away from his job. He owns eleven cameras and although he enjoys his toy cameras (Lomo, Holga, etc) he usually prefers to take his time and use manual control.

Jez was pleased with this photograph of the Wai Sing sign that he took with a Lomo LC-A on Ilford Delta 100 film. He says: “I pass this sign on a regular basis, and every time I went by on the bus I tried to work out what had been painted over. After finally getting a photograph, I realised that the sign underneath is ‘The Busy Bee Café’ “.

It’s hard to say when the Busy Bee sign was painted, but the Wai Sing sign may have been there since a café of that name opened in the 1950s. The café was part of the story of the Yen familyin Sydney, whose origins are in the Guangdong province in China. Look out for the sign in Glebe Point Road.

Photography by Heywood Industries
© All rights reserved
Posted by Megan Hicks (meganix), Sign Design in Australia team

What’s in the workshop #1

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Erika Dicker, who usually blogs over here , and I have joined forces to give you a new post called “What’s in the workshop”. We both walk by the workshop several times a day and it constantly changes and can be quite amusing. So here is the first post by Erika.

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This morning was just like every other morning. Arrive at work, stumble down to get coffee, attempt to wake up, walk back past the workshop to get to my desk, cast eye down to the woodworking machines, tools, saws, welders, giant liquorice shoe…

What? GIANT LIQUORICE SHOE! on a tricycle no less! And I thought the prawn bike couldn’t be topped.

Investigation tells me that this liquorice allsorts shoe/tricycle is in need of a few minor repairs before hitting the Museum floor later this year for the “Odditorium” (keep an ear out for this one…well worth coming to see). It’s from the Sydney Olympic Games Collection and was used in the huge party that was the Closing Ceremony. It was ridden by one of the 62 drag queens to the dulcet tones of Kylie Minogue’s “On a Night Like This”.

It is definitely adding a bit of ‘bling’ to the workshop and is one of my new favourite objects. I wish it could stay, but alas it is off to a more prestigious location.

Photography by Paula Bray
© All rights reserved
Post by Erika Dicker, Curator

Boadecia or Mother England

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This black and white reproduction from a glass plate negative depicts a studio portrait of a young woman dressed as Boadecia or Mother England. She wears tights, a short tunic, helmet, shield and staff and poses in front of a painted backdrop of a rowing boat.

This image comes from the unusual Phillips photographic collection and has just been added to the Commons on Flickr . This brings the total number of images from this collection in Flickr to 160. You can see them in this set .

Raymond Phillips, a rotograver who was responsible for the Australian Women’s Weekly cover, donated this collection. His father, Arthur Phillips, was a gold and silver merchant and was possibly the photographer of the glass plate negatives. In 1920, the family moved from Willoughby to Latimer Road, Bellevue Hill. Raymond Phillips remained in the house after his parents’ death. This amazing and unusual collection of glass plate negatives was found in a deal box in the garage.

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