This costume titled Africa Dancer - Circle Skirt was worn in the Arrivals segment of the Olympic Opening Ceremony held on September 15, 2000. This costume was part of the Africa float and was designed by Jenny Kee.

The Opening Ceremony of the 2000 Olympic Games was comprised of three major sections: the mandatory formalities and protocol sections, the cultural display and the entrance of the athletes. Within the cultural display, there were eight segments titled: Welcome, Deep Sea Dreaming, Awakening, Fire, Nature, Tin Symphony, Arrivals and Eternity.

This costume was used in the Arrivals segment of the Opening Ceremony. This segment aimed to produce a theatrical representation of Australia's multiculturalism. The programme for the Olympic Opening Ceremony states: The history of Australia is the history of migration. We have come from all corners of the planet to form a vibrant, culturally rich and constantly evolving society. In this segment, a new group of arrivals form the Olympic symbol that unites the five continents of the world. They disperse, leaving behind their children - our hope for the future. More children appear until two thousand gather to form the pattern of the night sky, containing the distinctive Southern Cross constellation. From the centre of the structure Nikki Webster performs "Under Southern Skies' to celebrate the unity of all our people.

There were five floats in the Arrivals segment. Each float represented a continent of the world. Using the symbolism of the colours of Olympic rings, each continent/float was represented by a colour. Black was used to represent the African nations, yellow the Asian nations, red the Americas, green was used for Europe and blue for Oceania. (Australia was part of the Oceania float).

Fashion and film designers rather than theatrical designers were chosen to provide a contemporary, cutting edge, high fashion look to the costumes. The designers were Jenny Kee - Africa and Americas, Lisa Ho - Asia, Norma Moriceau - Europe and Peter Morrissey - Oceania.

Performers were selected from schools, community groups and from cultural and ethnic support groups. Approximately 500 performers danced around and on each of the five floats in the costumes created by the designers.

This is one of several costume designs created for approximately 150 dancers involved in the Africa float. The design brief for the dancers' costumes specified an emphasis on drumming, dance and the repetitive use of the circle.

This costume consists of a dynamic drum shaped skirt featuring a zig zag pattern, and an elongated headdress. The zig zag is a recurring theme found in many traditional African designs

Jenny Kee (born Sydney 1947) is one of Australia's most significant and creative clothing and textile designers. Kee is best known for designing and retailing a unique range of colourful clothing and knitwear. Her work is characterised by the graphic and dynamic nature of her design style, as well as her ability interpret cultural icons in a highly original way. For this project Kee's vision was "Homage to the Spirit of Africa. Bestowing peace, love and unity upon the world for Mother Earth". She collaborated with Creative Consultant Jan Thornley and Costume Artist Paula Martin and team.

Kee and her collaborators applied a rigorous research and design development process to realise the costumes for the Africa float. The works drew their inspiration from many regions and aspects of African culture and history.

Various textile designs were developed by Kee, using black as a palette base, contrasted with cream, terracotta, ochre and metallic touches. Kee states that " My work starts with the graphic expression of ideas. I adapted universal African emblems - a series of drawings revealing unifying threads, building layers of meaning through my fabrics and costumes. I want to celebrate the richness and sophistication of this vibrant continent."

This is one of several costume designs created for approximately 150 dancers involved in the Africa float. The design brief for the dancers' costumes specified an emphasis on drumming, dance and the repetitive use of the circle.

This costume consists of a dynamic drum shaped skirt featuring a zig zag pattern, and an elongated headdress. The zig zag is a recurring theme found in many traditional African designs. The headdress is a three dimensional extension of graphic themes - stylised, exaggerated and elongated.

Worn by one of 28 female dancers

Presented to the Powerhouse Museum by the Olympic Coordination Authority, on behalf of the NSW Government

Performance costume, 'Africa Dancer - Circle Skirt', fabric/foam/fibreglass, designed by Jenny Kee used in Opening Ceremony of Olympic Games, Sydney, 2000

Consists of a black and white circular skirt and black and white hat. The skirt is made from foam rubber that has been covered with black cotton lycra material and printed with a white zigzag design. The elongated headdress is made from black foam rubber and decorated with strips of white foam rubber in an African inspired design.

Designed: Kee, Jenny; ; 2000

Made: Ceremonies Costume Workshop; Redfern, New South Wales; 2000

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2000