The Elle Catwalk Model costume was designed by Jennifer Irwin and Michael Wilkinson and manufactured in the Costumes Ceremonies Workshop. It features a pair of yellow PVC tights with feet and a yellow PVC jacket with gloves attached. A stiff A line dress goes over the PVC tights and top. The dress features a photographic image of Elle McPherson on it. It is accessorised with a helmet with film 'hair' and a pair of dark sunglasses.

The costume featured in the Icons segment of the Sydney 2000 Olympic Games Closing Ceremony. It was worn by a volunteer.

The closing ceremony of the Sydney 2000 Olympic Games took place on Sunday 1 October at Stadium Australia, Homebush Bay. It included solemn formalities, an informal parade of athletes and a farewell party that took the form of an unregimented parade with floats that celebrated and often mocked aspects of Australian popular culture. The intention was to conduct the ceremony with decorum until the extinction of the Olympic flame, and then to unleash a party. The artistic director of the closing ceremony David Atkins explained 'The athletes have finished competition, and are ready to party, and we have set about creating a party to end all parties. We have decided to invite everyone into our giant Australian backyard - fully equipped with Hills Hoists, barbecues, an eclectic mix of music, performers and all manner of Australiana. Australians have a tradition of throwing great parties, and this one will be imbued with a sense of fun, larrikinism and goodwill.' According to Ric Birch (speaking on Channel 7's 'Olympic Sunrise'), the opening ceremony was to represent Australia at large, but the closing ceremony was Sydney's show.

After Vanessa Amorosi's performance of 'Absolutely Everybody', the arena was transformed into a huge dance- floor as 960 ballroom dancing couples in fluorescent costumes danced the samba, tango and jive to the beat of John Paul Young singing 'Love is in the Air'. Although there was no direct allusion to the film 'Strictly Ballroom', the link was implied. The dancers were accompanied by 208 giant dancing feet and the incongruous assembly of oversized kewpie dolls while in mid-field the athletes formed a huge conga line.

As the ceremony unfolded the proliferation of suburban images such as Hills Hoists, blowflies, lifesavers and thongs was treated with self-deprecating irony rather than clichÂ?. The wit and quality of the 'Parade of Icons' showed the influence of the late Peter Tully artistic director of the Mardi Gras. For example, the 'pit chicks' in silver hot pants who carried large eyelash props, the stiletto shoe bikes and giant mascara for the Priscilla bus.

The opening ceremony told a mythic story of nation-building that dwarfed individuals. It was evocative and subtle. The closing ceremony, however, celebrated personality, celebrity and attitude. Loud and brash, more like a rock concert than a profoundly theatrical event, it was an extravagant send-off -- fun, festive, shamelessly excessive and, for an international audience, decidedly weird.

Jennifer Irwin (born Sydney 1958) has designed costumes for numerous Australian dance and theatre productions. Her designs for dance have been seen on stage in 24 countries. She has designed costumes for over 25 works by the Sydney Dance Company and has worked extensively with director and choreographer Stephen Page on his productions for the Bangarra Dance Theatre and for the Australian Ballet. Also with Stephen Page, Irwin designed costumes for the Opening Ceremony for the Festival of the Dreaming (1998) and for Tubowgule - the Opening Ceremony for the Sydney 2000 Olympic Arts Festival. Irwin also designed the costumes for the Official Ceremony for the Centenary of Federation on 1 January 2001.

Jennifer Irwin's many costume design commissions for dramatic works include collaborations with directors Gale Edwards and Marion Potts for the Sydney Theatre Company and with Neil Armfield for Company B at the Belvoir St Theatre.

Irwin was awarded a Theatre Board (Australia Council) grant to study scenic design at La Scala Opera in Milan, Italy.

Her designs for the Closing Ceremony demonstrate her unique talent of infusing contemporary, cutting edge design with a sensitivity and understanding of dance, movement and cultural significance.

Michael Wilkinson studied architecture at University of Sydney before completing the NIDA design course in 1993. Since graduating, Michael has worked as a designer right across the United States, Australia and New Zealand.

His film credits include costume designer for the feature films Party Monster, American Splendor, Large,s Ark, In Gods Hands, Just Another Story, Milwaukee, Minnesota, Looking For Alibrandi, When Strangers Appear and True Love and Chaos.

He was also design assistant on the feature films The Matrix, Far From Heaven and Moulin Rouge.

His theatre work includes award-winning costume designs for the Sydney Theatre Company, Opera Australia, the Australian Dance Theatre, Belvoir St Theatre, the Bell Shakespeare Company, Steel City (at Radio City Hall) and the Ensemble Theatre

Michael also works as a stylist, with clients including Danny Glover, Kirstie Ally, Elle McPherson and Kylie Minogue.

In 1999 Wilkinson was awarded the Mike Walsh Fellowship and used this to further his international career in the USA and Europe. As of 2002 he is based in New York.

Ceremonies Costume Workshop artists: Mark Bailey and team made the headdress, Roger Tait and team made the dress, jacket and tights.

Worn by a volunteer.

Presented to the Powerhouse Museum by the Olympic Coordination Authority, on behalf of the NSW Government

Performance costume, 'Elle Catwalk Model', fabric, designed by Jennifer Irwin and Michael Wilkinson, made by Roger Tait and his team, and Mark Bailey and his team, of the Ceremonies Costume Workshop, used in Closing Ceremony of Olympic Games, Sydney, 2000

Consists of a yellow PVC jacket with hood yellow, a pair of yellow PVC tights, a white foam dress featuring a pixilated black and white image of Elle McPherson and a foam and yellow PVC helmet with bunches of hair made from stills film on either side of the helmet.

Designed: Irwin, Jennifer; ; 2000

Designed: Wilkinson, Michael; ; 2000

Made: Ceremonies Costume Workshop; Redfern, New South Wales; 2000

2001/84/226

2000