This ensemble is comprised of a coat, dress and shoes. The loose fitting knee length coat in cream and brown tweed and the knee length short sleeved dress with a brown silk lining and overdress of gold and silver were designed by Collette Dinnigan of Sydney. The two tone shoes in silver fabric and gold leather were designed by Chanel, Paris. The ensemble is part of a collection of Australian and international designer clothing, shoes and bags from the personal wardrobe of Catherine Martin.

Catherine Martin is one of Australia's outstanding creative talents, working as a production designer, film producer and costume designer on significant film, theatre and event productions including Strictly Ballroom, Moulin Rouge, Romeo + Juliet, La Bohème and Australia. Martin's creative collaboration with husband Baz Luhrmann has produced a visually lush, musically exhilarating, poetic style of storytelling.

Her personal wardrobe reflects Martin's romantic style, knowledge of fashion history and passion for handcrafted, artisanal textiles; an aesthetic that is also a key part of her designs for film, theatre, interior design and fashion. The collection includes outfits Martin wore to premiers and award nights including the evening dress she wore to the 74th Academy Awards where she received two Academy Awards for Best Costume Design and Best Art Direction.

Catherine Martin's personal wardrobe enhances the Museum's contemporary fashion and dress collection with significant examples of work from Australian and international designer labels including Easton Pearson, Collette Dinnigan, Willow, Akira Isogawa, Chanel, Mui Mui, Jill Sander, Comme des Garçons and Prada.

In addition the Catherine Martin collection includes a group of costumes and accessories from the films Romeo + Juliet (1996) and Australia (2008), set models from the film Australia (2008) and costumes and accessories from the theatre production of Puccini's opera La Boheme (2003). A key feature of these productions is the costuming and sets which reflect the extensive research and inventive interpretation of references drawn from across history and cultures. These costumes enhance the Museum's existing collection of costumes for the Baz Luhrmann films Strictly Ballroom (1992) (92/1900-92/1939) and Moulin Rouge! (2001) (2008/199/1-17).

This collection reflects the diverse approaches Martin and her team take in costuming film and theatre productions. In Romeo + Juliet, Leonardo DiCaprio's Romeo wears an off the shelf Prada shirt that has been skilfully distressed to appear dirty and bloodied, while his companions the Montague boys appear in colourful screen printed and hand painted Hawaiian shirts. The Australia costumes reflect the design and production teams' careful research into 1930s and 1940s clothing which they have skilfully re-interpreted and reproduced for the film. In contrast the costumes for the four key characters from La Bohème are an eclectic mix of contemporary mass market work wear, designer labels and newly created garments.

- Glynis Jones, Curator, Fashion and Dress, December 2010

The silk lining for the coat was made in China, the tweed fabric of the coat was made in the UK
The fabric of the dress was made in France.

This ensemble was worn by Catherine Martin to an Elton John Foundation AIDS Benefit. The dress and coat were purchased by Catherine Martin from the Collette Dinnigan 'look book'. The Chanel shoes were purchased from a department store in Toronto, Canada.

Catherine Martin was born in Sydney in 1965. She completed a Diploma Design course at the National Institute of Dramatic Arts in Sydney. It was here that she met and started working on projects with her future husband and creative partner Baz Luhrmann (b 1962).

Martin's first design project with Luhrmann was his experimental opera entitled Lake Lost devised for the Australian Opera in 1987, for which she and her co-designer Angus Strathie won a Victorian Green Room Award for Best Design. She has designed all of Luhrmann's subsequent productions including Strictly Ballroom (1992), Romeo + Juliet (1996) for which she received an Academy Award nomination for Best Art Direction, A Midsummer Night's Dream (various season's 1993, 1994, 1996, 2000, 2003) Moulin Rouge (2001) for which Martin won Academy Awards for Best Costume Design and best Production Design, La Bohème (various productions, 1990, 1993, 1996, 2002, 2003, 2004) and Australia (2008).

Catherine Martin and Baz Luhrmann married in 1997 and in the same year co-founded their film, theatre and entertainment production company Bazmark Inc and its subsidiaries Bazmark Live and Bazmark Music.

Outfit comprising of dress, coat and shoes.

Knee length dress with V neckline and short sleeves, fitted bodice and flared skirt, olive silk lining with overdress of gold and silver nylon/polyester/metallic lace embellished with gold and silver metallic sequins and glass beads around the waist and bust. Zip fastening in proper left side of overdress.

Loose fitting wool/nylon/mohair/metallic knee length coat in cream and brown tweed fabric. Fitted bodice with collar, centre front opening fastening with three large buttons, flared skirt. Fully lined.

Two tone shoes in silver fabric and gold leather with gold cage shaped high heel and gold leather straps tying around ankle.

Designed: Dinnigan, Collette; Sydney, New South Wales; 2006

Designed: Chanel; Paris, France

Owned: Martin, Catherine;

2011/43/53

2006