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In 1855 The London Society of Arts offered a prize for the best microscope that could be sold for fewer than 3 guineas. The design requirements outlined a microscope that had two lenses, and could be disassembled and stored in a compact box. The instrument had to sell for a low price and the prize winner had to agree to keep the microscope always available for purchase. Many makers took part in this competition and the prize went to Robert Field of Birmingham. The popularity of his design was such that most manufacturers produced their own models with slight variations and they became known as 'Society of the Arts' type microscopes.
This microscope tells an interesting story of skill and migration. The owner of the microscope, Dr Lovegrove, was a general practitioner who migrated from the United Kingdom to New Zealand in 1877. It has been documented that Dr Lovegrove treated many of his less affluent patients as 'LOG' (for the Love of God), and never asked them for payment. On his migration to New Zealand his patients and friends presented the doctor with this microscope. For its time, this microscope was quite an amateurish setup to present to a doctor, however it would have been a small and handy model to move halfway across the world with. The 1880's saw a great expansion in the manufacture of microscopes and the presentation of this microscope in 1877 is suggestive that Dr Lovegrove's patients held him in very high esteem.
These types of presentation microscopes are not unknown but fairly rare in museum collections.
Dr Lovegrove was a general practitioner who migrated from the UK to New Zealand in 1877. This microscope was a leaving gift from his patients. In organising his accounts it was found that many patients were marked with LOG next to their names. The kind doctor treated some of his patients free for the 'Love of God'.
This microscope was passed down through Dr Lovegrove's family to Horace Lovegrove. Horace and the donor's father served in the armed forces together. On demobilisation they formed a partnership as opticians. Horace had no children and when he died in the 1950's his widow gave the donor the microscope.
Microscope, 'Society of the Arts' type, compound monocular, metal / glass / wood, possibly made by S Maw, Son & Thompson, London, England, [1855-1877], used by Dr I Lovegrove, New Zealand, [1877-1910]
This is a compound monocular microscope encased in a wooden carry box. The microscope has a claw foot base and a bar-limb construction, sub-stage concave mirror, sub-stage wheel of stops and a sliding mount on the stage. It has a rack and pinion coarse focus and a screw and lever fine focus.
Also in the microscope case there is a large condenser and an early 20th century Spencer 16mm objective and an objective contained in a brass canister.
There is a wooden draw inside the box that contains a number of glass slides. There is also an additional cardboard box of glass slides inside the microscope case.
Mounted on the inside of the door there is a live box, and a set of stage forceps.
Made: unknown; England; 1855 - 1877
Used: unknown; 1877 - 1910
Marks
Inscribed on metal plaque on top of case, 'Presented to I.F. Lovegrove M.R.C.S.Sc / by his patients and friends / on his leaving Ightham for / NEW ZEALAND / 26th March 1877'
On the base of the microscope, inscribed in metal 'S. Maw, Son & Thompson / Aldersgate Street / London'
Inside the microscope box is a cardboard box of glass slides.
The top of the box, in black ink 'Anti Aircraft units of the British Army / Manufactured by W. Britain / reg no 459993 / in London England'.
On the side of the box, in black ink 'Height finder no 1729 / with operator / made in England'.
{{cite web |url=http://from.ph/367333 |title=Microscope |author=Powerhouse Museum |accessdate=23 February 2012 |publisher=Powerhouse Museum, Australia}}
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