This group of three embroidered mats each features a different and beautifully drawn Australian native bird: lyrebird, kookaburra and Major Mitchell cockatoo. They form part of a collection of 19th and 20th century Australian embroidery and needlework, given to the Museum by Ian Rumsey and known as the Ian Rumsey Australian Textiles Collection. The collection was assembled by the donor, a private collector, over two decades and includes doilies, milk jug covers, tablecloths, placemats, towels, banners, aprons, samplers, runners and cushion covers, all featuring Australian motifs. Ian Rumsey was drawn to embroidery and needlework for its extensive use of Australian flora and fauna and other motifs which specifically reference Australia; he collected only well-preserved examples. The use of Australian motifs is strongly indicative of a shift away from the design influences of the United Kingdom towards a more inclusive Australian aesthetic.

The collection represents an important pastime of Australian women of the late 19th to mid 20th century. Women's focus was the home and its decoration was important. Embroidery and crochet work was an affordable way to personalise and add aesthetic value, and examples of embroidered and crocheted pieces could be found in most Australian homes, decorating or protecting furniture, floors and walls, and keeping off flies and insects from food. Embroidery and crochet work provided a much needed creative outlet for some and a restful leisure activity for others, as a way to commemorate significant events or supplement the family income.

The three rectangular mats are all of cream linen, embroidered with Australian native bird motifs, and edged with buttonhole stitch and treble crochet.

Part of a collection of well-preserved Australian needlework and embroidery of the early to mid 1900s, featuring Australian motifs and assembled by the donor Ian Rumsey over two decades. One of the principal sources for his collection was the late Nerylla Taunton, a widely respected Sydney antiques dealer who specialised in needlework and was a registered Australian government valuer for this class of object.

From the mid-19th century, needlework was a popular pastime among women, and the skills and techniques of decorative and plain sewing was both encouraged and expected of them (needlework was part of the school curriculum in the 19th century).

Tablemats (3), embroidered, linen / cotton, lyrebird, kookaburra and Major Mitchell cockatoo design, maker unknown, Australia, 1920-1950

Three rectangular beige linen mats. The first mat has been embroidered with two lyrebirds of different sizes at each of the shorter ends. They have been embroidered using different shades of brown and green. The edge has been crocheted with yellow thread.

The second mat has been embroidered with a centralised a kookaburra on a branch in white, grey, brown and green thread. The edge has been crocheted with orange and green thread.

The third mat has been embroidered with a centralised Major Mitchell Cockatoo on a branch with a tree in the background in white, black, pink, green and brown thread. The edge has been crocheted with pink and white thread.

Made: Australia; 1920 - 1950

2010/11/38

1920 - 1950