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Recreational and Sporting Equipment > Props

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2001/84/40 Double bass, theatrical prop, polystyrene/fibreglass, designed by Eamon D'Arcy, made by Gustavo Balboa, Clint Tagoe, Charles Gillespie and Jamie Gill at the Ceremonies workshop, used in the 'Arrivals' segment of the Sydney 2000 Olympic Games Op
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Object statement
Double bass, theatrical prop, polystyrene/fibreglass, designed by Eamon D'Arcy, made by Gustavo Balboa, Clint Tagoe, Charles Gillespie and Jamie Gill at the Ceremonies workshop, used in the 'Arrivals' segment of the Sydney 2000 Olympic Games Opening Ceremony, Sydney, 2000
Designed by Eamon D'Arcy, this polystyrene double bass was one of several musically inspired props to feature in 'Arrivals' - a theatrical segment in the Opening Ceremony for the Sydney Olympic Games. Together, they represented the cultural traditions that arrived in Australia through European migration. With green paint and glitter details, double bass complemented the performers' costumes and made direct reference to the green Olympic ring - a symbol of the European continent. Dressed in green and white satin, harlequin characters carried the polystyrene instruments onto the arena and pretended to play them throughout the segment.

Described by the NSW premier Bob Carr as 'the greatest spectacle Australia has produced', the opening ceremony of the Sydney 2000 Olympic Games took place at Stadium Australia, Homebush Bay on Friday 15 September 2000. Though the ceremony featured anthems, speeches, oaths, flags, pop singers and a marching band, its daring conceptual sequences ('Deep Sea Dreaming', 'Awakening', 'Nature', 'Tin Symphony', 'Arrivals' and 'Eternity') will be remembered as the major imaginative works. Each segment commenced without interruption, following on from the last to form an overall narrative. The purpose was to project a national image to a worldwide audience, to form the world's vision of Australian culture. This image embraced tolerance, social progress, multiculturalism and reconciliation, as well as nature, history and creativity. Designed to stimulate emotional responses from the audience, these segments delivered a refreshing mixture of youth, naivety and larrikinism.

Directed by Lex Marinos, the 'Arrivals' segment looked at Australia's history of migration. A joyful and powerful celebration of multiculturalism, it comprised floats representing five continents with costumed dancers symbolising new arrivals. These represented all the cultures, races, creeds and religions that are now part of the Australian nation. The groups cascaded into the arena in the order Africa, Asia, the Americas, Europe and Oceania - the five regions that are symbolised by the Olympic rings. Huge masks and spectacular costumes were displayed within those groups. The costumes were designed by Jenny Kee (Africa and Americas), Lisa Ho (Asia), Peter Morrissey (Oceania) and Norma Moriceau (Europe). The climax saw the arrivals join together to form a giant human mosaic. Then they dispersed, leaving behind a large crowd of 2000 children, symbolising Australia's hope for a future of tolerance and understanding.
Designer, Eamon D'Arcy, developed the polystyrene instruments in Sydney in early 2000. Initially, he considered purchasing inexpensive instruments to use as props though later decided to make replicas that could be painted and decorated to suit the segment. Made from polystyrene and polyester resin, the props were lightweight and simple to style.

Gustavo Balboa, Clint Tagoe, Charles Gillespie and Jamie Gill made the polystyrene instruments in 2000 at the Ceremonies Workshop at Eveleigh. The polystyrene bodies were cut and carved to shape and coated with a polyester resin. Green lacquer and glitter were applied to the surface and reflective tape was attached to simulate strings.
Green, polystyrene instruments were used as theatrical props on the 'Europe' float, part of the 'Arrivals' segment in the Opening Ceremony of the Sydney Olympic Games. The ceremony was held at Stadium Australia, Sydney Olympic Park, on 15 September 2000.

Made for and owned by the Sydney Organising Committee for the Olympic Games, and donated to the Powerhouse Museum after the Games.

 This text content licensed under CC BY-NC.

Description
Double bass, theatrical prop, polystyrene/fibreglass, designed by Eamon D'Arcy, made by Gustavo Balboa, Clint Tagoe, Charles Gillespie and Jamie Gill at the Ceremonies workshop, used in the 'Arrivals' segment of the Sydney 2000 Olympic Games Opening Ceremony, Sydney, 2000

The surface of the double bass prop has been coated with fiberglass polyester resin and painted with green lacquer and glitter. Reflective tape has been stuck to the middle of the front of the double bass to simulate strings.
Made: 2000
2001/84/40
Production date
2000
Width
777 mm
Depth
150 mm

 This text content licensed under CC BY-SA.
Acquisition credit line
Part of the Sydney 2000 Games Collection. Gift of the New South Wales Government, 2001
This object belongs to:
Sydney 2000 Olympic and Paralympic Games Collection
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{{cite web |url=http://from.ph/345970 |title=2001/84/40 Double bass, theatrical prop, polystyrene/fibreglass, designed by Eamon D'Arcy, made by Gustavo Balboa, Clint Tagoe, Charles Gillespie and Jamie Gill at the Ceremonies workshop, used in the 'Arrivals' segment of the Sydney 2000 Olympic Games Op |author=Powerhouse Museum |accessdate=25 May 2013 |publisher=Powerhouse Museum, Australia}}


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