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Pictorials > Bookplates

+ 2009/52/6 Collection of artist-designed ...
+ 85/1066 Bookplate, Olaf Harris, Australi...
+ 86/1597 Bookplates (955), paper, Austral...
+ 86/3258 Tooth Collection: Original Artwo...
+ 93/381/1-110 Botanical illustration/prin...
+ P2989 Designs (2), 'Motif to Frame Sir F...
+ P2990 Design, 'Dedication', from unpubli...
+ P2991 Designs (2), 'Table of Contents'an...
+ P2992 Designs (2), 'Map showing habitat ...
+ P2993 Design, 'Blue Mountains waratah (W...
+ P2995 Designs (2), 'Stenocarpus study (W...
+ P2999 Designs (2), 'Door for Australian ...
+ P3000 Designs (2), 'New Zealand Medallio...
+ P3001 Designs (2), 'Gigantic Lily Fan' a...
+ P3002 Design, 'Stenocarpus panel', from ...
+ P3003 Design, 'City of Sydney Window', f...
+ P3005 Designs (2), 'Stenocarpus column -...
+ P3006 Design, 'Motive for dado', from un...
+ P3008 Design, 'Wall Decoration, Majolica...
+ P3009 Design, 'Ceiling of same room, B (...
+ P3012 Designs (2), 'Protea Column, Four ...
+ P3013 Design, 'Waratah column - two type...
+ P3016 Design, 'Carpet. moss and grass. t...
+ P3017 Design, 'Sideboard', from unpublis...
+ P3019 Design, 'Salve', from unpublished ...
+ P3203 Design, 'Yellow Seas plate', from ...
+ P3204 Design, 'Stenocarpus', from unpubl...
+ P3205 Design, 'Numbered map', from unpub...
+ P3206 Design, 'Dechaineux Column and Ram...
+ P3207 Design, 'Federation bust', from un...
+ P3208 Design, 'Stag-horn Fountain (Polyc...
+ P3209 Design, 'Lyre bird antefix - stone...
+ P3210 Designs (2), 'Vivarium (Fish-Globe...
+ P3211 Design, 'Entablature', from unpubl...
+ P3212 Design, 'Lyre-bird - Hand mirror, ...
+ P3213 Design, 'Moloch Horridus', from un...
+ P3214 Design, 'Heading of Introduction -...
+ P3215 Design, 'Southern Cross and Sun-Ce...
+ P3216 Design, 'Hippocampus and shell rel...
+ P3217 Design, 'Hippocampus - Tasmanian D...
+ P3024 Design, 'Flowers, Study in Iguana ...
+ P3025 Designs (10), Australian floral mo...
+ P3025-2 Design, 'Waratah Decanter and Pr...
+ P3025-4 Design, 'Stenocarpus electrolier...
+ P3025-5 Design, 'Stenocarpus pillar - ca...
+ P3025-6 Design, 'Waratah bracket', from ...
+ P3025-7/1 Design, 'Waratah Panel, Terra ...
+ P3025-8 Design, 'Waratah Rope, dispositi...
+ P3025-9 Design, 'Waratah Panel, oblong, ...
+ P3025-10 Design, 'Stenocarpus-panel-oblo...


Pictorials > Design drawings

+ A7437-29/1 Drawing, concept drawing of m...
+ A7437-29/4 Drawings (4 on 1 sheet), conc...
+ A7437-29/7 Drawings (5 on 1 sheet), conc...
+ A7437-29/22 Drawing, concept artwork for...
+ P1292 Drawing of Gray's Safety Lamp.(SB)...
+ P1293 Drawing of Marsauts Safety Lamp.(S...
+ P1295 Drawing of Mueseler's Safety Lamp....
+ P1296 Drawing of Evan-Thomas Safety Lamp...
+ P2890 Drawings (2), for the making of a ...
+ P2909 Plans of the "Captain Sturt", a st...
+ P2989 Designs (2), 'Motif to Frame Sir F...
+ P2990 Design, 'Dedication', from unpubli...
+ P2991 Designs (2), 'Table of Contents'an...
+ P2992 Designs (2), 'Map showing habitat ...
+ P2993 Design, 'Blue Mountains waratah (W...
+ P2995 Designs (2), 'Stenocarpus study (W...
+ P2999 Designs (2), 'Door for Australian ...
+ P3000 Designs (2), 'New Zealand Medallio...
+ P3001 Designs (2), 'Gigantic Lily Fan' a...
+ P3002 Design, 'Stenocarpus panel', from ...
+ P3003 Design, 'City of Sydney Window', f...
+ P3005 Designs (2), 'Stenocarpus column -...
+ P3006 Design, 'Motive for dado', from un...
+ P3008 Design, 'Wall Decoration, Majolica...
+ P3009 Design, 'Ceiling of same room, B (...
+ P3012 Designs (2), 'Protea Column, Four ...
+ P3013 Design, 'Waratah column - two type...
+ P3016 Design, 'Carpet. moss and grass. t...
+ P3017 Design, 'Sideboard', from unpublis...
+ P3019 Design, 'Salve', from unpublished ...
+ P3024 Design, 'Flowers, Study in Iguana ...
+ P3025 Designs (10), Australian floral mo...
+ P3025-2 Design, 'Waratah Decanter and Pr...
+ P3025-4 Design, 'Stenocarpus electrolier...
+ P3025-5 Design, 'Stenocarpus pillar - ca...
+ P3025-6 Design, 'Waratah bracket', from ...
+ P3025-7/1 Design, 'Waratah Panel, Terra ...
+ P3025-8 Design, 'Waratah Rope, dispositi...
+ P3025-9 Design, 'Waratah Panel, oblong, ...
+ P3025-10 Design, 'Stenocarpus-panel-oblo...
+ P3026 Design, 'Motives for jewellery (Je...
+ P3091 Designs for doilies, using Austral...
+ P3194 Designs (2), 'List of subscribers'...
+ P3195 Design, 'Dado and Wall decoration ...
+ P3196 Design, 'Tobacco Jar, Aboriginal's...
+ P3203 Design, 'Yellow Seas plate', from ...
+ P3204 Design, 'Stenocarpus', from unpubl...
+ P3205 Design, 'Numbered map', from unpub...
+ P3206 Design, 'Dechaineux Column and Ram...
+ P3207 Design, 'Federation bust', from un...



Bookplate design entitled 'Waratah Electrolier'
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Images: 01 02 03

Object statement
Design, 'Waratah Electrolier, same room C', from unpublished book, 'Australian Decorative Arts', watercolour, gouache and ink over pencil on paper, made by Lucien Henry, Australia / France, 1889-1891
Lucien Felix Henry was born in 1850 in Provence, in the south of France. He arrived in Paris to study art in 1867 and was accepted into Gerome's studio at the Ecoles des Beaux Arts. His studies were disrupted by the Franco-Prussian War and the siege of Paris. He played a leading role in the popular movement to defend the Paris Commune in 1871 as Chef de la Legion, responsible for the defence of the 14th arrondissement. After their defeat, Henry, along with some 4000 other Communards, was incarcerated in the French penal colony of New Caledonia for seven years. In 1879 the Communards were given amnesty and Henry arrived in Sydney.

That year the International Exhibition was held in Sydney, ushering in a decade of prosperous growth for the colony. Henry successfully argued for state involvement in art education and by the end of the decade he had become a widely respected teacher and artist at Sydney Technical College. His Parisian art education had encouraged interdisciplinary work between the arts and industry which he sought to foster locally. Coinciding with the movement towards federation, Henry expressed a strong desire to see the development of an 'Australian Style'. Henry proposed to reinvigorate the classical language of decoration with stylised versions of Australian flora and fauna as 'motives for the decoration of any construction from a cottage to a public building'. His major project was to be a book entitled 'Australian Decorative Arts' for which he made some one hundred watercolour designs between 1889-91. In 1891 Henry returned to Paris to seek a publisher. The accompanying text, however, remained largely unwritten and the severe economic depression of the 1890s made publication of such a lavish work impossible. Henry died in 1896 before the book could be published.

The designs from the unpublished book, of which this is one, were given to the Museum in 1911 by Elizabeth Catherine Sea. These designs reflect Henry's intense interest in the use of native motifs, and in particular explore what Henry argued was the artistic potential of the waratah. Henry wrote that the waratah's 'rigid lines offer themselves ready for use for constructive ornamentation...it carries qualities of style and a firmness such as very few flowers, if any, could give so abundantly.' This particular design, along with P3229 'Lyre-bird Motive for Pier Glass and Electric Light', details the dining hall light fittings of the Hotel Australia. Powered by its own generators, the hotel was one of the first Sydney buildings to be lit by electricity. Henry adapted his favourite waratah and lyrebird motifs to the new technology. The lyrebird formed the reflector for an electric globe. 'The Sydney Morning Herald' praised the 'lyre bird escutcheons in oxidised silver around the dining hall ... specially designed for Mr Selfe by M. Lucien Henry, the artist ...'

The illustrations were championed at the time of acquisition by the Museum's director, R T Baker, who shared Henry's interest in the potential of Australian imagery to define a distinctively Australian school of decorative art. Baker described Henry as 'an artist possessing real genius, and his originality in design and other fields of fine and Applied Art will live long in the annals of New South Wales technical education'. However, the illustrations were subsequently overlooked for half a century until they were rediscovered in a storeroom in 1977.

Henry relished the possibility of transforming native flora and fauna into decorative forms. As an instructor in art at Sydney Technical College, he championed their use in the decorative arts, design and architecture. His own work draws on the shapes and forms of Australian native plants as the basis of his designs.
This is one of a series of designs prepared for a proposed "Australian Decorative Arts" book by Lucien Henry.

Lucien Felix Henry was born in Sisteron, France in 1850. He arrived in Sydney in 1880 and died in France on March 10, 1896. He was a painter, sculptor, designer and teacher.

Henry studied in Paris (under Viollet-le-Duc, architect) and at the Ecole des Beaux-Arts (under Gerome). A French 'communard', Henry was active in the commune of 1871 for which he was sentenced to death, but was later reprieved and sent to New Caledonia. At the end of his sentence he went to Sydney, where he became instructor at the first modelling school in Australia, and in 1883 the first lecturer in art at the school established when the Board of Technical Education took over the former Sydney Mechanics School of Art. He published 'The Legend of the Waratah', and dedicated it to a prominent figure in Australian Labor politics, Fred Bloomfield, directing special attention to 'the great decorative possibilities in the forms of Australian wildflowers'.

Henry was intensely interested in Australian flora, and, through his strong, engaging personality, imbued his students with much of his own power of perception. Among his pupils were: James Nagle, a superintendent of technical education in NSW; G.H.Aurousseau; Gregory Macintosh and Alexander Murray.

Henry designed the 'Captain Cook' and 'Australia' subject stained-glass windows in the Town Hall, Sydney and the chandelier in the Hotel Australia, Sydney. He also painted many portraits and modelled many busts. His pioneering ideas and t he opposition to them are given in an article in 'Australian Art', 1888. He returned to Europe in 1889.

Reference: McCulloch, "Encyclopedia of Australian Art" p.567
The designs from Henry's unpublished book were given to the Museum in 1911 by Elizabeth Catherine Sea, the aunt of Fanny Broadhurst (Henry's former student and partner).

 This text content licensed under CC BY-NC.

Description
Design, 'Waratah Electrolier, same room C', from unpublished book, 'Australian Decorative Arts', watercolour, gouache and ink over pencil on paper, made by Lucien Henry, Australia / France, 1889-1891

Illustrated bookplate showing a pressed metal electrolier or light fitting with six large waratah flowers branching downwards. The light fitting is grey with three stars decorating the fixtures. To the left of this is an outline of a column and capital with egg and starfish motif. At the base of the light fitting is a black silhouette. In the background are faint horizontal lines and the outline of another column on the right.

Made: Henry, Lucien; Australia

Designed: Henry, Lucien; Australia; 1880 - 1889
Marks
Written below the design in black ink appears, 'PLATE - WARATAH ELECTROLIER'. In the top left hand corner reads, 'No.6a'. On the left hand side of the design is, '6"' with arrows on either side and '286' next to this. Opposite this on the right hand side is '5"' between two arrows.
P3010
Height
610 mm
Width
460 mm

 This text content licensed under CC BY-SA.
Acquisition credit line
Gift of Margaret See, 1977
Subjects
+ Australian flora and fauna in applied art
+ Interior design
+ Interior decoration
+ Lighting
+ Waratah
Short persistent URL
Concise link back to this object: http://from.ph/323732
Cite this object in Wikipedia
Copy and paste this wiki-markup:

{{cite web |url=http://from.ph/323732 |title=Bookplate design entitled 'Waratah Electrolier' |author=Powerhouse Museum |accessdate=31 August 2015 |publisher=Powerhouse Museum, Australia}}


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