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Ceramics > Vases

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A6607 Vase, earthenware, designed by Clarice Cliff, made at Newport Pottery, Burslem (Stoke-on-Trent), England, 1936-1941
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Object statement
Vase, earthenware, designed by Clarice Cliff, made at Newport Pottery, Burslem (Stoke-on-Trent), England, 1936-1941
This vase was designed by Clarice Cliff (1899-1972), one of the best known British ceramic designers of the 20th century. Cliff was the first British ceramicist to develop Art Deco patterns and shapes for commercial production and her boldly coloured designs of the late 1920s and the 1930s significantly influenced fashionable tableware produced by other Staffordshire ceramic factories. The most prominent ceramic designer in Britain between 1927 and 1939, Cliff was also the first woman art director in the Staffordshire potteries.

Born in Tunstall (Stoke-on Trent), Staffordshire, Clarice Cliff left school at the age of thirteen to become an apprentice enameller and gilder at the local pottery Lingard, Webster & Co. She later worked as a lithographer at Hollishead & Kirkham and studied at the Tunstall and Burslem art schools before settling at the A.J. Wilkinson factory in Burslem (Stoke-on-Trent) in 1916. In 1920, Colley Shorter, co-director of A.J Wilkinson, took on Newport Pottery, a smaller Burslem pottery located in Newport Lane, which was previously owned by S.W. Dean. Two years later he promoted Cliff as an apprentice modeller under Wilkinson's art director John Butler, a move that coincided with Shorter's plans to diversify the range of his quality earthenware. In 1925, shortly after visiting the Exposition Internationale des Arts Décoratifs in Paris, Cliff began modelling art pottery including hollow cast figures. In 1927 she completed short courses in modelling and drawing at the Royal School at Art in London and later also studied at the Central School of Arts and Crafts in Bloomsbury. In 1930 Cliff was appointed art director of Newport Pottery Co Ltd.

'Bizarre' was the name of Cliff's first range which was launched in October 1927 featuring designs of brightly coloured triangles and banding that covered entire surfaces of plates, vases and other ware. Despite adverse economic conditions, Cliff's 'Bizarre' range was immediately successful and a team of young 'hand paintresses' was formed to decorate them with deliberately exaggerated brush strokes at the Newport Pottery. The brush strokes were to complement Cliff's modernist patterns and to highlight their handpainted nature as opposed to aerographed or sprayed colours commonly used at the time. Commercial interest in 'Bizarre' was so strong that already in 1928 orders were sent to North America, South Africa, Brazil, Cuba and Holland. At least one design (orange, green and black coffee set in 'Tankard' shape) had reached Australia by 1928 where it was retailed by Thomas Webb & Sons in Melbourne.

Innovatively marketed through demonstrations in department stores and at trade shows, from 1928 'Bizarre' became the umbrella title for all Clarice Cliff ware until 1936; it was named 'Original Bizarre' from 1930 onwards. First floral patterns as well as the first Art Deco shapes were added to the 'Bizarre' range in 1928. The same year saw the introduction of the 'Fantasque' range as a Wilkinsons product ( but made at Newport Pottery) to split the tax on sales; A.J Wilkinson remained the major factory. Both lines - 'Bizarre' and 'Fantasque' - were distributed in Australia in 1928 by WG South & Cowan Ltd of 352 King Street, Sydney. From 1929, these lines, alongside the prestigious 'Inspiration Bizarre' series, were advertised in Australian trade journals as 'the answer to modernity's plea for more colour, greater simplicity' and were 'obtainable at better class stores'' (L Griffin, 'Clarice Cliff, the art of Bizarre', 1999, p.54, ill.).

After 1936, when 'Bizarre' and 'Fantasque' were discontinued, her work was decorated with lithographed designs as well as hand painting. This vase belongs to this period.

Clarice Cliff ceramics were collected already in the 1960s. Her first exhibitions at the Brighton Museum in 1972 and at the L'Odeon in 1976, stimulated serious interest in the 1970s as did specialist books published in the 1980s. The original Clarife Cliff Collectors Club was established in 1982 in Britain. Between 1992 and 2002 Wedgwood produced a range of Clarice Cliff reproductions.

Eva Czernis-Ryl
2008

Further reading:
L Griffin, 'Clarice Cliff, the art of Bizarre', 1999
R Green, D Jones, 'The rich designs of Clarice Cliff', 1995
L Griffin at all, 'Clarice Cliff, the Bizarre affair', 1988
This mark crediting Newport Pottery was used from 1936 to 1941on all Clarice Cliff products after the Bizarre and Fantasque ranges were discontinued . The Newport Pottrey closed in 1942.

 This text content licensed under CC BY-NC.

Description
Vase, earthenware, designed by Clarice Cliff, made at Newport Pottery, Burslem (Stoke-on-Trent), England, 1936-1941

A press-moulded earthenware vase with an irregular flat base, high-relief decoration all over the body and matt glaze. The 'japanesque' design features a web of contorted prunus branches in bloom, handpainted in brown, and green with red and blue leaves, all set against an ivory ground.
Made: 1936 - 1941
Marks
Brown lithographed mark on base 'Clarice Cliff (underlined) / NEWPORT/POTTERY Co/ENGLAND' Moulded shape number 989.
A6607
Production date
1936 - 1941
Height
205 mm
Width
165 mm

 This text content licensed under CC BY-SA.
Acquisition credit line
Purchased 1977
Short persistent URL
Concise link back to this object: http://from.ph/186931
Cite this object in Wikipedia
Copy and paste this wiki-markup:

{{cite web |url=http://from.ph/186931 |title=A6607 Vase, earthenware, designed by Clarice Cliff, made at Newport Pottery, Burslem (Stoke-on-Trent), England, 1936-1941 |author=Powerhouse Museum |accessdate=27 April 2015 |publisher=Powerhouse Museum, Australia}}


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