This unusually high backed chair was designed by the Scottish architect, Charles Rennie Mackintosh for Catherine Cranston's Argyle Street Tearooms in Glasgow around 1898-1899. The design for the furniture of the tearooms was the first major private commission of Mackintosh's career. The Argyle chair was shown at the Eighth Exhibition of the Vienna Secession, Austria in 1900 where Mackintosh's highly individual style strongly influenced and contributed to the development of work at the Wiener Werkst„tte.
The attenuated lines and exaggerated height of its back anticipated many of Mackintosh's later designs. It is the first of his high back chairs to feature the top rail as an emblematic iconic symbol. The back uprights support an enlarged oval headrest with a fretted stylised flying swallow shape. Mackintosh raised the height of the chairs in order that the furniture make a dramatic statement within the room.
Mackintosh's concentration on the formal qualities of the furniture within the interior very much anticipated the spirit of 20th century modernism. Although he was not as appreciated at home as he was on the continent (he died in relative poverty in London in 1928), his architecture and design went on to be revered worldwide and is appreciated for forming an important bridge between the 19th and 20th centuries, and between England and continental Europe.
Commissioned for use in the Luncheon Room of Miss Cranston's Argyle Street Tearooms, Glasgow c1897. Examples also included in Mackintosh's flat and in his contribution to the Vienna Secession Exhibition 1900.
Acquired by previous owners from a private collection in Glasgow.