The poster was designed and printed in Shanghai, China for the British Cigarette Co. The names of the artist and the printer of this particlular poster are unknown.
The success of these types of advertising posters meant that local artists and designers found a lucrative outlet with the growing demand for watercolour posters. Some were employed directly by companies such as the British American Tobacco Co and China Nanyang Brother Tobacco Co, others set up their own studios. This fostered a new form of expression that is a synthesis of Western ideas and technologies, and Chinese illustration technique, in which Chinese watercolour technique was effectively employed to add emphasis and a refined elegance to posters depicting familiar Chinese scenes and settings, historical figures, gods and characters of opera and legend.
Overseas companies such as the British American Tobacco Co, were the first to introduce this type of product promotion to China, which then prompted similar tactics from local Chinese companies.