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Currently on public display
+ Display Store, Powerhouse Discovery Centre, Castle Hill
Decorative Woodwork > Boomerangs

+ 86/1309 Boomerang, wooden, Australia, 19...
+ 86/1310 Boomerang, wooden, Australia, 19...
+ 95/26/1 Boomerang, wood, Aboriginal Ente...
+ 95/26/2 Boomerang, wood, Aboriginal Ente...
+ 86/1782 Boomerang, wooden, La Perouse Ab...
+ 86/1783 Miniature boomerangs (4), shell ...
+ 86/1788 Boomerangs (24), wooden, Austral...
+ 86/1811 Boomerangs (2), wood, La Perouse...
+ 86/1815 Boomerang, wood, Australia, c. 1...
+ D7044 Paper knife, Myall wood / silver m...
+ 86/452 Boomerang, wooden, Australia, 198...
+ 86/453 Boomerangs (3), wooden, Stan Roac...
+ 86/501 Boomerang, wood/pokerwork, Austra...
+ 86/509 Boomerang, wooden, Australia...
+ 86/66 Boomerang, mangrove wood, made by ...
+ 86/67 Boomerang, mangrove wood, made by ...
+ 87/113 Boomerang, wood, La Perouse, Aust...
+ 87/19 Boomerang, mangrove wood, made by ...
+ 87/53 Boomerang, wood, La Perouse Austra...
+ 88/33 Boomerangs, (2), reproduction, Abo...
+ 88/334 Boomerangs, (6), wood, made by Jo...
+ A8785 Boomerangs, 2, & nulla nulla, Cent...
+ 97/235/3 Boomerangs (pair), for ceremoni...
+ 90/564 Boomerang, wood, painted, Halley'...
+ 92/97 Boomerang, timber, Joe Timbery, Au...
+ 92/98 Boomerang, timber, Joe Timbery, Au...
+ 92/99 Boomerang, timber, Joe Timbery, Au...
+ 2008/50/2 Boomerang, inscribed 'Johnny O...
+ 88/334-2 Boomerang, one of 6, wood, made...
+ 88/334-3 Boomerang, one of 6, wood, made...
+ 88/334-4 Boomerang, one of 6, wood, made...
+ 88/334-6 Boomerang, one of 6, wood, made...
+ B2604-22 Award, First All Australian Sol...



Boomerang by Tommie Foster

In the 1880s La Perouse became a regular camp site for displaced South Coast Aborigines. Some of these people had been expelled from the city of Sydney to the north, others had travelled north from traditional lands alienated by farming and grazing. Initially their occupation of this northern headland of Botany Bay was deemed illegal. But their camp was officially recognised as an Aboriginal Reserve in 1895. The establishment of a nearby Methodist Mission - soon to become the headquarters for the United Aborigines Mission - may well have influenced this decision.

Although La Perouse at this time was still beyond the southern perimeter of suburban development, it was already a popular seaside resort for the white inhabitants of Sydney. The Joseph Banks Hotel, with its renowned pleasure gardens and menagerie, was built there in the 1830s. By the 1880s the establishment was reaching its peak of popularity.

With few other means of income and provision, the Aborigines of La Perouse were quick to engage with this tourist market. They sold shell artefacts, boomerangs and demonstrated boomerang throwing to the day trippers. What developed was a 'transitional culture' of production with traditional skills being employed to create 'non-traditional' artefacts for the new market. The production of shell souvenirs and decorated boomerangs grew in the 20th century with the establishment of a tram line to La Perouse in 1902.

This boomerang is typical of many that were made in the community in the 1920s and 1930s. It is made of mangrove wood and features a poker-worked design with a wattle sprig and geometric pattern at each end, and a central motif of the Sydney Harbour Bridge and water coloured with a green pigment. The wood was probably obtained from the foreshore of Botany Bay and the poker-work performed with a piece of hot wire.

The reverse side of the boomerang bears a dedication inscribed in lead pencil: 'To Jim Kenney (1928)/ FRM. Tommie Foster/ La Perouse'.

The Sydney Harbour Bridge was an icon as soon as it was completed. It was used on at least one other La Perouse boomerang and was a common motif on many non-Indigenous souvenirs and designs. Of particular interest here, however, is the date 1928 - four years before the opening the Bridge. Possibly this suggests the maker was influenced by early drawings or plans of the Bridge. Alternatively the date may reflect the death of the subject of the dedication, Jim Kenney.
The artist and manufacturer, Tommie Forster of La Perouse, has dedicated and signed the back of the boomerang. The date given in the inscription (1928) predates the completion of the Sydney Harbour Bridge (1932), hence the design must have been adapted from bridge design drawings that were widely published in newspapers in 1928.
The boomerang has a dedication to Jim Kenney from the artist / maker, Tommie Foster.

 This text content licensed under CC BY-NC.

Description
Boomerang, mangrove timber with poker-work, Tommie Foster, La Perouse, NSW, Australia, 1928

Boomerang, made by Tommie Foster of La Perouse. The piece was hand carved from a mangrove 'knee', the timber probably from the fore shore of Kurnell, Botany Bay, the convex side has been decorated with a symmetrical pattern burnt into the wood using a hot wire. The central motif of the Sydney Harbour Bridge spans the curve of the boomerang and there is a wattle sprig and geometric design at each end. The water beneath the bridge has been coloured with green pigment. The reverse side bears the inscription in lead pencil: "To Jim Kenney (1928) From Tommie Foster, La Perouse".

Designer: Forster, Tommie; La Perouse, New South Wales

Maker: Forster, Tommie; La Perouse, New South Wales; 1928


User: Kenney, Jim; Australia
Marks
On reverse side handwritten in lead pencil: "To Jim Kenney (1928)/ FRM. Tommie Forster/ La Perouse", signature is written in a softer, darker pencil than dedication is.
94/187/1
Height
235 mm
Depth
10 mm

 This text content licensed under CC BY-SA.
Acquisition credit line
Purchased 1994
Subjects:
+ Sydney Harbour Bridge
+ Aboriginal material culture
+ La Perouse Aboriginal community
Currently on public display
+ Display Store, Powerhouse Discovery Centre, Castle Hill


Copyright
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