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Furniture > Chairs

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R152 chair designed by Grant Featherston, 1946 - 1956
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Object statement
Chair, R152 Contour, plywood / hardwood / fabric, Grant Featherston, Melbourne, Victoria, Australia, c. 1951
One of the new wave of Australian designers to emerge in the immediate post-war years, Grant Featherston (1922-1995) designed his first chair in 1947. In the early 1950s he developed the now famous 'Contour' range of chairs. First launched in 1951, the 'Contour' was an immediate success, its innovative plywood shell formed using a process that Featherston developed himself in the absence of suitable plywood bending technology locally. In 1957 Featherston was appointed consultant designer to Aristoc Industries, a Melbourne manufacturer of metal furniture. This highly fruitful collaboration resulted in the production of a variety of chairs including the 'Mitzi' (1957), 'Scape' (1960), the 'Expo 67 talking chair' and the 'Stem' chair of 1969.

In 1966 Featherston formed a partnership with his wife Mary Featherston (nee Curry, born England 1943), an interior designer who had studied at RMIT. Their 'Expo 67' chair, with its polystyrene shell, was only the beginning of a run of chairs that, in the spirit of the times, explored the limitless possibilities of plastics in the creation of innovative seating forms:

' ... the integrated one-piece plastic chair [represented] ... the pinnacle of the furniture designer's aspirations. Plastics and moulding technology expresses the synergetic challenge most eloquently. No other material so inherently speaks of body and process, offering a 'negative' of the human body.'
(Grant Featherston, 'Design reflections', In Future, no 4, Feb-March 1987. Quoted in Terence Lane, Featherston Chairs, National Gallery of Victoria, Melbourne, 1988, p12)

The rotation-moulded, polyethylene 'Stem' chair took 18 months to reach production stage and was one of the most technologically sophisticated chairs ever made in Australia. It, and other innovative designs by the Featherstons helped expand the technological capabilities of local furniture manufacturers at a time when there viability was constantly under threat from foreign imports.

The Featherstons' efforts to keep the local industry competitive while supplying the market with chairs that were technologically and stylistically equal to overseas examples resulted in an important body of work that has significantly enriched Australia's design history.
Grant Featherston (1922-1995) developed the now famous 'Contour' range of chairs n the early 1950s. To form the laminated plywood shells of the Contour chairs, Featherston replicated industrial moulding technology by means of a manual cutting, bending and folding process. The result was a strong yet flexible support which, according to a Featherston Furniture brochure of about 1954 'was built to fit the natural curves of the body....Flexing with every change of position, these chairs make possible a new form of relaxation'.
Grant Featherston is regarded as one of the most important designers to have emerged in Australia since the Second world War. The R152 provided the basis of his highly successful Contour range of furniture, developed from 1951-1955.

 This text content licensed under CC BY-NC.

Description
Chair constructed with the back and seat shaped in one single curved piece. The back is high with slightly winged sides. The seat is a slightly winged concave shape. The chair sits on a wooden cruciform base which extends into four tapered and splayed legs. The seat is covered in brown and orange striped upholstery. Buttons are fixed in to the back and seat. The upholstery is not original to the chair.
Made: 1946 - 1956
Marks
No marks
93/265/1
Production date
1946 - 1956
Height
940 mm
Width
570 mm
Depth
720 mm

 This text content licensed under CC BY-SA.
Acquisition credit line
Gift of Mr and Mrs J Warner, 1993
Short persistent URL
Concise link back to this object: http://from.ph/132825
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{{cite web |url=http://from.ph/132825 |title=R152 chair designed by Grant Featherston |author=Powerhouse Museum |accessdate=28 May 2015 |publisher=Powerhouse Museum, Australia}}


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