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Lacquer > Screens

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Chinese lacquered hanging screen with porcelain insets, 1644 - 1911

No image is publicly available for this object.

Because of the age of the Museum's collection some objects in the Museum's collection have not yet been digitised. Some images are not available for Copyright reasons. Some images are not available for cultural or privacy reasons.

Object statement
Panel, Taoist Immortals, wood / porcelain, maker unknown, China, early Qing dynasty (1644-1911)
This kind of horizontal screen is called "Hanging Screen" in China, which appeared from early Qing (1644-1911) dynasty. However, in earlier time, since the reigns of Jiajing, Longqing, and Wanli in the Ming (1368-1644) dynasty, the handicraft of engraving porcelain insets into stationeries and furniture already appeared, but the insets are mostly the blue-and-white porcelain. The screens made in Ming dynasty are a larger size and more functional than for ornamental purposes. The emergence of hanging screen was during the early Qing dynasty and became prevalent in the Yongzheng and Qianlong reigns, especially in the Imperial palace. Hung on the wall for pure aesthetic purposes in stead of paintings, they have lacquer surface and porcelain/scrimshaw insets and often appeared in pairs or groups, depicting calligraphies, landscapes and figures.

The Eight Immortals, which is called Ba Xian (Eight Saints) in China, is a group of legendary immortals in Chinese Taoist mythology. Since the Tang dynasty (618-907), it began to have the legend of the Eight Immortals. However, it was not until the mid Ming dynasty that the eight figures were fixed as Han Zhongli, Zhang Guolao, Han Xiangzi, Tieguai Li, Lü Dongbin, He Xian'gu, Lan Caihe, and Xiaoxiang Zi in Wu Yuantai's novel "The East Advanture". Each of the eight saints carries a special power tool.

In Chinese culture, the Eight Immortals are considered to be signs of prosperity and longevity, so it is a popular theme in traditional art. The eight figures were frequent adornments on celadon vases, and appeared in sculptures owned by the nobility. Their most common appearance, however, was in paintings. Many silk paintings, wall murals, and wood block prints remain of the Eight Immortals. The figures were often depicted either together in a group, or alone to give homage to that specific immortal. During the Ming and Qing dynasties, the Eight Immortals are very frequently associated with other prominent spiritual deities in artwork, such as the Three Stars (Fu Lu Shou: Good Fortune (Fu), Prosperity (Lu), and Longevity (Shou)) and Xi Wangmu (Queen Mother of the West), who are commonly seen in the company of the Eight Immortals.

Reference:
http://en.wikipedia.org/wiki/Eight_Immortals
http://baike.baidu.com/view/321317.htm
http://www.chinahmxh.com/html/hongmujiajufenlei/54.html
http://www.hudong.com/wiki/%E6%8C%82%E5%B1%8F
http://auction.artxun.com/paimai-4167-20834583.shtml

 This text content licensed under CC BY-NC.

Description
Panel, Taoist Immortals, wood / porcelain, maker unknown, China, early Qing dynasty (1644-1911)

The facade of this wooden screen is painted with black lacquer, while its four borders and back are enclosed with purplish red lacquer. There are eight porcelain pieces of the Eight Taoist Immortal figures, which have underglaze colours, insetted into the facade of the screen. From the left to the right, the eight figures are: He Xian'gu (Deity He) with a lotus flower, Lü Dongbin carring a sword, Han Xiangzi playing a bamboo flute, Tieguai Li (Iron-Crutch Li) carrying a bottle gourd, Han Zhongli with a palm-leaf fan, Lan Caihe with a basket of flowers, Cao Guojiu (Royal Uncle Cao) with a ivory tablet, and Zhang Guolao (Elder Zhang Guo) holding a musical instrument which is called Yu Gu (fish drum) in Chinese. On top of this screen, there are two hook components used for hanging. This hanging screen is slightly damaged with many cracks on the lacquer and has edges worn away.
Made: 1644 - 1911
216A
Production date
1644 - 1911
Height
420 mm
Width
30 mm

 This text content licensed under CC BY-SA.
Acquisition credit line
Presented to the New South Wales Collection of Applied Art by Mr J. Dence, 1927
This object belongs to:
New South Wales Collection of Collection

This object record is currently incomplete. The information available may date back as far as 125 years. Other information may exist in a non-digital form. The Museum continues to update and add new research to collection records.
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{{cite web |url=http://from.ph/12507 |title=Chinese lacquered hanging screen with porcelain insets |author=Powerhouse Museum |accessdate=3 July 2015 |publisher=Powerhouse Museum, Australia}}


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