Tag Archive for 'christmas'

Red, white and green- a festive look at the fashion collection

Many fashion blogs and sites at the moment are focusing on what to wear for Christmas. This year, women’s fashions include dresses heavily embellished with sequins, lace and shiny fabrics. Interesting when I am sure, most Australians will just end up in T-shirts playing some sort of sport in the backyard.
Never-the-less it’s often the tradition around Christmas time to buy a new dress or outfit. With this in mind, I’d like to share with you some of the more festive dresses in the Museums collection.

Dresses ( left to right) Top row Mariano Fortuny, Beril Jents, 1870s Evening dress
Middle Row (left to right) Yoshiki Hishinuma, Akira Isogowa, Akira Isogawa,
Bottom Row (left to right) David Jones Pty Ltd , Angus Strathie for ‘Strictly Ballroom’,
Christian Dior.

On the eighth day of Christmas

my true love gave to me…..8 maids a milking.

Collection: Powerhouse Museum

A2035-1, Ceramic figure, female child holds sheaf of grain

93/338/286, Figure, Alice in Wonderland, `Alice’, earthenware, Royal Doulton, England, c. 1971

A9134-31, Cows, part of model toy farm

A5845-1, China doll, the type attached to powder puffs and dressing table ornaments. c. 1920

85/2102-5, Plate, “Little Bo Peep”

A9134-35, Maid, part of model toy farm

A10803-30, Plate, part of incomplete toy/doll’s tableware, brown transfer printed earthenware, maker and place unknown

2007/51/1-2/2, Maid from room 9 in main section of Doll’s house with fixed contents, wood / metal / ceramic / glass, made by Frans and Christina Bosdyk, Picton, New South Wales, Australia, 1997-2006

A7286-5, Miniature doll, nursemaid, for dolls house, ceramic / textile, unknown maker, unknown date of manufacture

On the fifth day of Christmas

my true love gave to me…. five golden rings.

A10540, Finger rings, (5), silver, three dimensional designs with abstract forms, Daniel Kruger, Germany, 1984, The Powerhouse Museum Collection

Daniel Kruger is a contemporary jeweller who was shown in the Museums 1984 exhibition, Cross Currents. Kruger describes his work as, ‘…both jewellery and an artefact conceived and made by one person for the enjoyment by another person’.

On the third day of Christmas

my true love gave to me…. three french hens.

Collection: Powerhouse Museum

Well…Burmese hens..

On the second day of christmas

my true love gave to me…two turtle doves.

A4293 Wall Vase, The Powerhouse Museum Collection

With 600,000 objects you would think it would be easy to track down two turtle doves or at least two doves in the collection. High and low I looked but with no luck. So, for the seconday day of Christmas I give you this wall vase featuring two small birds.

On the first day of Christmas

Traditionally the 12 days of Christmas start on December 26th. To celebrate we are going to bring you some of our collection objects each day. May Christmas and the New Year bring all of our readers the best of times.

On the first day of Christmas my true love gave to me…a partridge in a pear tree.

Collection: Powerhouse Museum

Pheasant feathers, Black Argus Pheasant, Himalayan Mountains, India, 1881-1882

Collection: Powerhouse Museum

Chair,`The Pear Chair’, tawa wood / Tasmanian blackwood / suede leather, designed by Steven Hall, Circles Design Pty Ltd., Melbourne, Victoria, Australia, 1982

A very special Christmas present

Collection: Powerhouse Museum. Gift of A R Windschuttle, 1985.

This doll, dressed as a swagman, was made in the 1933 by Rita Williams as a Christmas gift for her four-year-old daughter Barbara. With limited material scraps and a doll’s head found in a rubbish bin, Rita was inspired to make and dress the doll in the clothes of the old swagmen who lived near the canal in front of her Merrylands home in outer Sydney.

‘Making do’ was a familiar aspect of life in Australia during the 1930s Depression. With money and goods in short supply, many people had to learn to adapt and improvise with whatever they could find. It was also a time that offered opportunities for inventiveness and ingenuity, and this Swaggie doll is an example of the resourcefulness and creativity that emerges in times of adversity.

The swaggie or swagman was the Australian equivalent of the English tramp and the American hobo. He led a nomadic life tramping along country roads from farm to farm, usually looking for seasonal or casual work and sometimes cadging food and tobacco. The swagman was in some ways the successor to the adventurers of the 1850s who tramped from goldfield to goldfield in search of gold. During the early 1930s many more swagmen were travelling the roads as the Depression had forced them out of the cities in search of work and enough food to survive. Swagmen could still occasionally be seen up to the 1950s, but their numbers decreased due to improved economic conditions and welfare support.

Collection: Powerhouse Museum. Gift of A R Windschuttle, 1985.

Barbara Williams, later Mrs Windschuttle, always thought that this was the most wonderful doll she had ever seen and kept it until 1985, when she decided more children should have the opportunity of seeing her unique and special doll and presented it to the Museum.

Celebrating Christmas with Australian flowers

When was Australian flora first used to celebrate Christmas?

Collection: Powerhouse Museum.

(Image: from Christmas bells floral design, Plate, porcelain by Reginald Austin for Royal Worchester, England , retailed by Flavelle Bros Ltd, Sydney, 1912-14.)

Letters from settlers in the colony of News South Wales in the 1830s described the use of Australian native plants like Christmas bush and Christmas bells. They replaced the traditional red and green of European holly and ivy. Louisa Anne Meredith, a writer and artist visited the colonies in the 1830s and describes Christmas at Parramatta

“We used to meet numbers of people carrying bundles of beautiful native shrubs to decorate the houses, in the same way we use holly and evergreens at home… it is a handsome verdant shrub, with flowers, irregularly flower shaped and go from green to crimson in colour” *

Australian natives are significant as ‘Christmas plants’ in various parts of Australia. Many Australia homes feature bunches of red Christmas bush as decorations for the festive season.

The Museum’s collection reflects the use Australian flora in a range of decorative and applied arts like glasses, cups and plates (such as the one above), bowls and this card case.

Collection: Powerhouse Museum

(Image: A1707 Cardcase, sterling silver / enamel /leather, Christmas bell motif, Germany, 1912)

Adorned with Christmas bells this case was exhibited by the Museum at the Panama Pacific International Exhibition, San Francisco, 1915.

It was acquired by the Museum for its spectacular ‘Australian Flora in Applied Art ‘ exhibition of 200 decorative arts objects made mostly in England, for the Australian market. The exhibition opened in 1906 with new objects added until the 1930s.

Australian flora was also used in building ornamentation like this stained glass design.

Collection: Powerhouse Museum

(Image: Stained glass panel, eucalyptus, waratah, flannel flower and Christmas bush design, lead, glass, made by George Hulme, Sydney Technical College, Sydney, New South Wales, Australia, 1900-1907)

This beautiful glass consists of sinuous tendrils of eucalyptus framing sides and bottom. The central portion is a columnar arrangement of waratahs, flannel flowers, Christmas bush and native fuchsia (elopea speciosissima R Br., Acinotus helianthi, Ceratopetalum gummi ferum, Epacris) in shades of red, green, yellow, pink and brown.
The Museums collections also houses botanical models, like this one of a Christmas bush.

The models were used as educational tools showing in detail the workings of plants. You can also see an earlier 20th century version of this Museum’s label with it.

Collection: Powerhouse Museum

(Image: D10202 Botanical model, (fruit of Christmas Bush), mixed media, modelled by A E Rice, coloured by Charles Toms, Sydney Technical College, Sydney, Australia, c. 1900)

*126-127 notes and sketches of New South Wales during a residence in the colony from 1839 to 1844,Mrs Charles Meredith, Sydney Ure Smith and national trust, 1844

That time of year

In case you hadn’t noticed Christmas is upon us once again!

The Museum’s collection is not without festive cheer, 1032 objects have ‘Christmas’ in the tile.

Christmas is the one time of the year people send card all around the world all for the same purpose; check out some of the Museum’s amazing Christmas cards below

Some cards to sent to the relies overseas who believe that Kangaroos roam the streets even at Christmas or a casual reminder that we celebrate Christmas without snow.

Collection: Powerhouse Museum

2007/110/15-18 Christmas card, kangaroo design, cardboard, designed by Adrienne Higgs, made by Scribbly Graphics, Victoria and New South Wales, Australia, c.1978

Collection: Powerhouse Museum

P3143-14 Photo postcard, The Beach, Coogee, Many Happy Returns

This beautifully gilded and embossed Victorian card would definitely something for Grandma

Collection Powerhouse Museum

A7825-32 Greeting card

A card for all the people who wish they had two elves to do there Christmas shopping

Collection: Powerhouse Museum

85/2601-3 Christmas postcard, elves and sleigh

A card with just a hint of wistful romance for someone special

Collection: Powerhouse Museum

P3539-8 Postcard, `Christmas Greeting’ wattle-fairy

The P Plater in the family?

Collection: Powerhouse Museum

85/2601-5 Christmas postcard, Father Xmas in automobile

A card as a gentle reminder to a sibling perhaps . . .

Collection: Powerhouse Museum

2004/90/1 Christmas card, sent to the Sing family, Surry Hills, paper, New South Wales, Australia, 1930 – 1960

Merry Christmas!

Santa marionette

Collection, Powerhouse Museum.

On this very festive day, I thought I would ‘unwrap’ for you some of the playful and eclectic Christmas related objects we have in our collection! Starting with this cardboard marionette of Santa Claus designed and printed by Raphael Tuck and Sons in Great Britain and made in Bavaria in 1905-1910. Raphael Tuck and Sons were well-known publishers from around the mid-19th to early 20th centuries who published for the royal family and were recognised for this service with a royal warrant from Her Majesty Queen Victoria in 1893.

Devlin2

Collection, Powerhouse Museum.

These are three French hens nesting in rather plush surrounds, and as you have probably already guessed, belongs to one of twelve gift boxes in the collection celebrating the famous English Christmas carol – ‘The Twelve Days of Christmas’. The carol starts:

On the first day of Christmas, my true love gave to me, a partridge in a pear tree…”

These boxes were designed and made by Stuart Devlin, an internationally renowned metalworker and designer from Australia (he also designed our decimal coinage). He made one of these boxes every year for 12 years and they are currently on display in the Museum’s front foyer (opposite the shop). The ‘Twelve Days of Christmas’ starts on December 25 and ends on the evening of January 5.

Xmas placemats

Collection, Powerhouse Museum.

These beautifully hand and machine-embroidered Christmas placemats were made in the early 1900s and, despite being used by a Sydney family every Christmas from the 1940s-1980s, have been kept in excellent condition!

01xmasfront

Collection, Powerhouse Museum.

Any thoughts what this is? To give you some sense of scale, it measures 70cm high x 65cm wide, which is just large enough to house a dog – because that’s actually what it’s for – it’s a dog kennel! It was designed between 1995 and 2000 by Richard Lee in Sydney and later modified to sit on the back of a bicycle. There is a lot to look at, both in terms of religious and Christmas imagery – the Christian cross, icon of Mary with child, Hindu gods, Japanese houses and gardens, a ‘G’Day mate!’ sign, powered by a battery-operated motor which causes the sign to flip over and display ‘Welcome to Sydney!’ (in celebration of the Sydney 2000 Olympic Games), disco balls, gold sequins and a Japanese miso soup bowl used for the dog’s water! I tell you, my dog, who is virtually pocket-sized, wouldn’t want a bar of sitting inside this kennel – and that’s when it isn’t perched on the back of a bike!

David Jones Christmas card

Collection, Powerhouse Museum.

Onto a necessary evil, especially at Christmas time, this is a 1983 David Jones Christmas account credit card, featuring their trademark houndstooth logo. It is one of three David Jones Christmas credit cards in the collection, along with 87/220-2 and 87/220-3, each of different designs.

Post advertisement

Collection, Powerhouse Museum.

This 1949 poster was designed by P. I. Cox for the Post Master General’s Department in Australia. But, how does one interpret ‘post early’ (apart from, “in time for Christmas”)? I received a Christmas card from my Aunty and Uncle in the UK in the first week of October this year because of the strikes and on-again off-again British Postal Service! Note to relatives – October is simply way too early, so in future, just send an e-card instead!

Gordon and Mary Andrews Card

designed by Gordon Andrews. Collection, Powerhouse Museum.

The Museum also has a lovely collection of personal Christmas cards designed by Gordon Andrews, which he and his wife Mary, sent out to family and friends each year. Gordon Andrews is best known for designing the first decimal currency bank notes in Australia, but he was also one of Australia’s foremost industrial designers.

Crackers

Collection, Powerhouse Museum.

And, what is Christmas without Christmas crackers? These paper and tinsel bonbons, still with their contents (whatever they may be!?), date to the 1950s. They complement other examples of Christmas crackers in the collection dating as early as the 1930s (89/1629) and even a Christmas cracker making machine, which is on display at Castle Hill (B2340).

From everyone here at Object of the Week, we wish you a wonderful Christmas and New Year and thanks heaps for reading our posts!